A Quote by Zooey Deschanel

I think the best comedic actors don't play it for comedy, they play it for reality. Then you find it funny because it's real. Playing the genre is the worst thing you can do - it's embarrassing.
The great amount of fun that I have is I can cast dramatic actors to play comedic roles, and I can cast comedic actors to play dramatic roles because, really, there's no such thing. There's just actors.
I don't do comedy. I think if a situation is funny you just play it for real and if it's funny, it's funny.
That straight man character is a short trip between comedy and drama in a project, so I can play the comedic beat on the same page as a dramatic beat. It gives me a lot of freedom as an actor to play scenes in multiple ways because I don't play the clown, nor do I play someone who is particularly maudlin.
'Friends' is easy to dismiss, but it's really good television - the art with which those actors play with comedy shouldn't be denigrated. And they also know how to play irony, which I think a lot of English actors might find quite difficult.
Anything has a rhythm to it, comedy or drama. There has to be a musicality to it. And everybody can't play the same instrument, ideally. But I think that we all have the same comedic tendencies, and that's why it works. We all sort of agree with what's funny.
I think as you get older, you find you can play more things because you're moving to a different category. You play a certain thing as a younger man, playing action roles like I did. Then I moved out, and I kept trying to do different things all the time.
Albert Brooks. Julia Louis-Dreyfus. Larry David. The best comedic actors play broad and real simultaneously, coming across as both larger than life and all too human.
I think there are lots of people that believe in rock 'n' roll. It's real easy. You just find some friends to play with and then you can feel it. I think that happens all the time. To be in a band and be playing in a room really loud, even if you never play a show, that feeling is really addictive and pure.
I like to play the comic relief or parts that aren't necessarily comedic but that I can find the comedy in.
Especially with comedy, you take massive risks because ultimately you're trying to be funny. If you're not funny, then it's really embarrassing and you look stupid.
I've always been cast in authority roles; I think because I have that presence... Comedically, I can play against that pretty well. I enjoy playing that arrogant ignorance. That's one of my favorite games to play in comedy.
I can find the worst thing in the world funny. My humour is dark. If I'm talking about the worst situations in my life, it's like a comedy - you can laugh at my pain.
A lot of guys in New York will only play with an edge. They find their groove and that's their groove. to me, once I do that, there's no point in playing anymore because it should always be a mystery. Depending on who you are playing with, there are hundreds of ways of playing. I think that a master can play all those different kinds of time.
There's two types of character actors. There's character actors who play all different characters. Or there's actors who always play the same part; they're just a bit funny-looking.
I would love to play a normal human being with a little bit of a comedic bend that had a love interest. I would love to explore comedy, like a half-hour kind of single-camera comedy. I think that would kind of suit me best.
If you play comedic scenes like they're really serious, then it's so much more funny than if you're going for a laugh.
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