A Quote by Zooey Deschanel
Making movies, you're like an independent contractor - you come in, you have a specific job, and a lot of what you do is completely manipulated, which is good and bad.
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Writing's not precious to me. It's not a thing that requires specific environment. You know, it's my job. Just like anybody with a job, you have to do your job when you don't feel like it, regardless of how good or bad the conditions are, regardless of how good or bad you might feel on any particular day.
There are a lot of movies that are badly made that I love, and there are a lot of movies that are just beautifully made but I don't like them. And critics have a tendency - that's all they focus on, which is, "I like it. I don't like it. It's good. It's bad."
Mainstream Hollywood makes a few good movies a year. And in order to be in one of those, you have to be one of five people. Hollywood makes many bad movies too, which I'm not interested in being a part of. But there are only a few good independent movies a year, and many, many bad ones. I want to be in good movies, and I want people to see them.
I was making a lot of independent movies before the independent movement.
Pretty early on in making the first movie I realized that this is what I wanted to do. I felt like by that time I just found my niche, like this is what I was supposed to be doing. So I completely submerged myself into the world of watching movies, making my own movies, buying video cameras and lights. When I wasn't making a movie, I was making my own movies. When I wasn't making movies, I was watching movies. I was going back and studying film and looking back at guys that were perceived as great guys that I can identify with. It just became my life.
I like movies that are specific. Movies that home in on a very specific subculture, a specific discipline, a specific world.
Since Star Wars, that film's success led to bigger budgets, more hardware, that the great movies like the ones I did, which were studio movies, are now independent movies. They range from half a million to several million, and a lot of those have very interesting roles.
It seems crazy moving from making little movies to making like literally movies with Marvel, which are like the biggest movies that they make.
Everybody underestimated the universality of the concept of a nightmare or a bad dream. Horror movies travel pretty well anyway. They're like action movies: People overseas can watch them and enjoy them, and they're not so culturally specific in terms of their references, and they can follow a good scary story.
I think that there's good movies and there's bad movies, and sometimes the bad movies spoil it for the rest of us, and we focus on them, but in the long run, all that matters are the good movies. Those are the ones that we will remember.
I've done a lot of bad movies, but my bad horror movies are the ones that people still find the good stuff in.
If there's specific resistance to women making movies, I just choose to ignore that as an obstacle for two reasons: I can't change my gender, and I refuse to stop making movies.
There are many movies which come with an attitude of black and white. I am good and you are bad. And there are many movies that are also trying to see the reality as it is or to discover what really is behind the character or events.
If you start looking at movies on a moral level - "I don't like that, that hurts, that's mean, that's bad" - then I don't even want to talk to you. Or like, someone that says "I don't like science-fiction movies," or "I don't want to sit through a Western," or "I don't like violence in movies," then I completely tune out.
I like independent movies, documentaries. There's not a lot of movies that are commercially made that I dig.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
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