A Quote by Zora Neale Hurston
Her old thoughts were going to come in handy now, but new words would have to be made and said to fit them.
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She tore a page from the book and ripped it in half. Then a chapter. Soon, there was nothing but scraps of words littered between her legs and all around her. The words. Why did they have to exist? Without them, there wouldn't be any of this. Without words, the Führer was nothing. There would be no limping prisoners, no need for consolation or wordly tricks to make us feel better. What good were the words? She said it audibly now, to the orange-lit room. "What good are the words?
He was always part of her thoughts, and now that he was real, he was inescapably part of her life, but it was as she had told her mother: saying he was part of her or that they were more than friends sounded like love, but it seemed like loss as well. All the words she knew to describe what he was to her were from love stories and love songs, but those were not words anyone truly meant.
Desperate? So what? I'm desperate, too!" Fenoglio snapped at her. "My story is foundering in misfortune, and these hands here," he said holding them out to her, "don't want to write anymore! I'm afraid of words Meggie! 'Once they were like honey, now they're poison, pure poison! But what is a writer who doesn't love words anymore? What have I come to? This story is devouring me, crushing me, and I'm it's creator!
If a thing is old, it is a sign that it was fit to live. Old families, old customs, old styles survive because they are fit to survive. The guarantee of continuity is quality. Submerge the good in a flood of the new, and good will come back to join the good which the new brings with it. Old-fashioned hospitality, old-fashioned politeness, old-fashioned honor in business had qualities of survival. These will come back.
Where was I?""A different island," said old Tallow. Her voice was stern, but there was an ache in her look that Omakayas had never before seen. "An island called Spirit Island where everyone but you died of the itching sickness- you were the toughest one, the littlest one, and you survived them all.""You were sent here so you could save the others," she said. "Because you'd had the sickness, you were strong enough to nurse them through it. They did a good thing when they took you in, and you saved them for their good act. Now the circle that began when I found you is complete.
"Grace," I said, my vision swirling now because of her blood smeared across my wrists, "Can you hear me?" She nodded then stumbled to her knees. I knelt beside her; her eyes were huge and afraid and my heart was breaking. "I'll come find you, I said. "I promise I'll come find you. Don't forget me. Don't-don't lose yourself."
Tessa poked at her left incisor with her tongue. It was flat again, an ordinary tooth. "I don't understand what makes them come out like that!" "Hunger," said Jem. "Were you think about blood?" "No." "Were you thinking about eating me?" Will inquired. "No!" "No one would blame you," said Jem. "He's very annoying.
The woods were made for the hunters of dreams,
The brooks for the fisher of song;
To the hunters who hunt for the gunless game
The streams and the woods belong.
There are thoughts that moan from the soul of the pine
And thoughts in a flower-bell curled;
And the thoughts that are blown with the scent of the fern
Are as new and as old as the world.
I would love to meet J.K. Rowling and tell her how much I admire her writing and am amazed by her imagination. I read every 'Harry Potter' book as it came out and looked forward to each new one. I am rereading them now with my kids and enjoying them every bit as much. She made me look at jelly beans in a whole new way.
(on Marilyn Monroe) I was walking down Broadway with her and nobody was stopping us. She was going to (Stella Adler's) actors' studio, and she was taking me to show me what it was all about. And I said to her: "How come nobody is taking your picture?" She said: "Well, watch." She took her scarf off, straightened her shoulders, and draped something another way, and we were surrounded. It must have been 400 people. And I said: "Now I know why!"
I want you to understand the words. I want you taste the words. I want you to love the words. Because the words are important. But they're only words. You leave them on the paper and you take the thoughts and put them into your mind and then you as an actor recreate them, as if the thoughts had suddenly occurred to you.
All his words and actions would now be fit for his daughter’s ears and eyes. Life would be lived as if under [her] constant scrutiny. He would never do anything that might cause her pain or anxiety or embarrassment and there would be nothing, absolutely nothing in his life to be ashamed of anymore.
I've had my nose in a book my whole life. I never thought it would be useful, but it is now. What's really nice is that I don't have a photographic memory, so words get blurred, thoughts get mixed up, and they come out as something new.
She was like me in lineaments-- her eyes Her hair, her features, all, to the very tone Even of her voice, they said were like to mine; But soften'd all, and temper'd into beauty; She had the same lone thoughts and wanderings, The quest of hidden knowledge, and a mind To comprehend the universe: nor these Alone, but with them gentler powers than mine, Pity, and smiles, and tears-- which I had not; And tenderness-- but that I had for her; Humility-- and that I never had. Her faults were mine-- her virtues were her own-- I loved her, and destroy'd her!
I see a 16-year-old now, and to ask her to take her clothes off would feel really weird. But they were like, 'If you don't do it, then we're not going to book you again.' So I'd lock myself in the toilet and cry and then come out and do it. I never felt very comfortable about it. There's a lot of boobs. I hated my boobs! Because I was flat-chested.
If old consumers were assumed to be passive, then new consumers are active. If old consumers were predictable and stayed where you told them, then new consumers are migratory, showing a declining loyalty to networks or media. If old consumers were isolated individuals, then new consumers are more socially connected. If the work of media consumers was once silent and invisible, then new consumers are now noisy and public.
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