A Quote by Zora Neale Hurston
When we sing the blues, we're singin' out our hearts, we're singing out our feelings. Maybe we're hurt and just can't answer back, then we sing or maybe even hum the blues.
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The blues? Why, the blues are a part of me. They're like a chant. The blues are like spirituals, almost sacred. When we sing blues, we're singing out our hearts, we're singing out our feelings. Maybe we're hurt and just can't answer back, then we sing or maybe even hum the blues. When I sing, 'I walk the floor, wring my hands and cry -- Yes, I walk the floor, wring my hands and cry,'... what I'm doing is letting my soul out.
Blues means what milk does to a baby. Blues is what the spirit is to the minister. We sing the blues because our hearts have been hurt, our souls have been disturbed.
I want to sing using a throatsinging style, like for example kargyraa, but at the same time sing it like a normal way. Maybe I will try some opera. To sing a melody, and to sing not only Tuvan traditional melodies, but I would like to try Western classics, blues. I think Tuvan music and American blues are very close to each other.
And then I think we realized, like any young guys, that blues are not learned in a monastery. You've got to go out there and get your heart broke and then come back and then you can sing the blues.
I have heartaches, I have blues. No matter what you got, the blues is there. 'Cause that's all I know - the blues. And I can sing the blues so deep until you can have this room full of money and I can give you the blues.
I don't know why people call me a jazz singer, though I guess people associate me with jazz because I was raised in it, from way back. I'm not putting jazz down, but I'm not a jazz singer...I've recorded all kinds of music, but (to them) I'm either a jazz singer or a blues singer. I can't sing a blues – just a right-out blues – but I can put the blues in whatever I sing. I might sing 'Send In the Clowns' and I might stick a little bluesy part in it, or any song. What I want to do, music-wise, is all kinds of music that I like, and I like all kinds of music.
Society certainly encourages women to be victims in every way. I mean if we want approval, we have to sing the blues, even as singers we sing the blues.
I don't remember any impression [from blues].The blues was just everywhere in the Mississippi Delta. It was mostly black sharecroppers living there, and there was a lot of blues around. Sometimes the guys would sing the blues in the fields, working.
I can sing the blues and I have sung the blues. I feel it internally when I'm singing.
A lot of people think the blues is depressing but that's not the blues I'm singing. When I'm singing blues, I singing life. People can't stand to listen to the blues, they've got to be phonies.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
These is old blues / and I sing em like any woman do. / These the old blues / and I sing em, sing em, sing em. Just like any woman do. / My life ain't done yet. / Naw. My song ain't through.
I learned jazz; that comes from blues. I learned rock; that comes from blues. I learned pop; that comes from blues. Even dance, that comes from blues, with the answer-and-response.
Singing about your sadness unburdens your soul. But the blues hollers shouted about more than being sad. They were also delivering messages in musical code. If the master was coming, you might sing a hidden warning to the other field hands . . . The blues could warn you what was coming. I could see the blues was about survival.
Blues is my life. It's a true feeling that comes from the heart, not something that just comes out of my mouth. Blues is what I love, and blues is what I always do.
After my early days of being a passionate young Elvis fan, Chuck Berry, Little Richard, etc. I got interested in Ray Charles and Ella Fitzgerald. Then I got turned on to the blues. I realized how important it was to our music in England at the time. Everyone was into the blues. Then you start looking at the different kinds of blues, and you follow the journey backwards from Chicago to earlier times back down to the Delta to the Memphis Blues.
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