A Quote by Zora Neale Hurston

If you kin see de light at daybreak, you don't keer if you die at dusk. It's so many people never seen de light at all. — © Zora Neale Hurston
If you kin see de light at daybreak, you don't keer if you die at dusk. It's so many people never seen de light at all.
"It is light that reveals, light that obscures, light that communicates. It is light I "listen" to. The light late in the day has a distinct quality, as it fades toward the darkness of evening. After sunset there is a gentle leaving of the light, the air begins to still, and a quiet descends. I see magic in the quiet light of dusk. I feel quiet, yet intense energy in the natural elements of our habitat. A sense of magic prevails. A sense of mystery. It is a time for contemplation, for listening - a time for making photographs. "
The light has gone out of our lives... Yet I am wrong, for the light that shone in this country was no ordinary light... and a thousand years later that light will still be seen in this country and the world will see it... For that light represented the living truth.
I always wanted to make a light that looks like the light you see in your dream. Because the way that light infuses the dream, the way the atmosphere is colored, the way light rains off people with auras and things like that...We don't normally see light like that. But we all know it. So this is no unfamiliar territory - or not unfamiliar light. I like to have this kind of light that reminds us of this other place we know.
But I have a problem with the term 'light'. I never in my life knew what to do with that. I know that people have mentioned on some occasions that 'Richter is all about light', and that 'the paintings have a special light', and I never knew what they were talking about. I was never interested in light. Light is there and you turn it on or you turn it off, with sun or without sun. I don't know what the 'problematic of light' is. I take it as a metaphor for a different quality, which is similarly difficult to describe. Good.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
We are going to die, and that makes us the lucky ones. Most people are never going to die because they are never going to be born. The potential people who could have been here in my place but who will in fact never see the light of day outnumber the sand grains of Sahara.
Remember that in a hall of perfect darkness, totally dark, if you light one small candle, its light will be seen from afar; its precious light will be seen by everyone.
First you believe, and then you see the Light. Next you go towards the Light. Soon you are IN the Light. Now you ARE the Light.
When you get the light shined on you, it's always interesting to see how people do in that light. The light shines on you, the spotlight's on you, so what are you going to do?
Today's photographers think differently. Many can't see real light anymore. They think only in terms of strobe - sure, it all looks beautiful but it's not really seeing. If you have the eyes to see it, the nuances of light are already there on the subject's face. If your thinking is confined to strobe light sources, your palette becomes very mean - which is the reason I photograph only in available light.
The word 'Namaste' means 'the light in me reflects the light in you' and I think the thing that makes people attractive are the people who shine their light and the people who can recognize that light in others.
A rooster crows only when it sees the light. Put him in the dark and he'll never crow. I have seen the light and I'm crowing.
But in the end all religions point to the same light. In between the light and us, sometimes there are too many rules. The light is here and there are no rules to follow this light.
My works are about light in the sense that light is present and there; the work is made of light. It's not about light or a record of it, but it is light. Light is not so much something that reveals, as it is itself revelation.
Light seeking light doth light of light beguile: So, ere you find where light in darkness lies, Your light grows dark by losing of your eyes.
It is a great blessing to have light in our lives - a light that helps us see things as they really are, light that illuminates our understanding, light we can follow with confidence and perfect trust.
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