A Quote by Zora Neale Hurston

He was the average mortal. It troubled him to get used to the world one way and then suddenly have it turn different. — © Zora Neale Hurston
He was the average mortal. It troubled him to get used to the world one way and then suddenly have it turn different.
I told you not to take off work for this." “And miss your big finale? No way.I’m all atwitter to see how things turn out.” “That’s cute, Jordo.” Then he frowned as Nick McCall was suddenly there, in their lives, and Kyle was therefore being a little…cautious before welcoming him into the family. “Be nice, Kyle,” Jordan warned. “What?” he asked innocently. “When have I ever not been nice to Tall, Dark, and You Can’t Be Serious About This Guy?” “I like him. Get used to it.
I sat thinking how terribly sad it was that people are made in such a way that they get used to something as incredible as living. One day we suddenly take the fact that we exist for granted - and then, yes, then we don’t think about it anymore until we are about to leave the world again.
In the early '90s, it was grunge; everybody was fully clothed. Alanis Morissette was one of the biggest artists in the world, never wore makeup, wearing Doc Marten boots, and then the Spice Girls turn up, and suddenly it all looks a bit burlesque; suddenly they're the biggest band in the world.
People often call and say: "Can you help me to get Bill Murray in our movie." But I'm always like, "well I don't know how to do that!" I've sometimes tried and not been able to get him but then I'll suddenly be very surprised by the thing that he will suddenly decide to do.
Emergency rooms will be used the way they were intended to be used: not for primary care, but for when the average freaky American get some strange object up his ass.
Love is so unpredictable. Sometimes you'll know a man for years and then one day, boom! Suddenly you see him in a different way. And other times, it's that first date, that first moment. That's what makes it so great.
I will make an average man into an average dancer, provided he be passably well made. I will teach him how to move his arms and legs, to turn his head. I will give him steadiness, brilliancy and speed; but I cannot endow him with that fire and intelligence, those graces and that expression of feeling which is the soul of true pantomime.
With Robert De Niro, you're thinking, suddenly he'll do something you don't expect, or he appears and he's kind of slow to get there but then he gets there in a way that nobody does. Everybody is just really, extremely different.
When the peacock has presented his back, the spectator will usually begin to walk around him to get a front view; but the peacock will continue to turn so that no front view is possible. The thing to do then is to stand still and wait until it pleases him to turn. When it suits him, the peacock will face you. Then you will see in a green-bronze arch around him a galaxy of gazing, haloed suns.
Think of the horse as your partner.and it's all one great dance. That's not to say it's always going to be easy or you won't have to work through issues. But when a horse is troubled or uncomfortable in our world, rather than show contempt for him, you must demonstrate empathy and work to convince him that you mean him no harm. You have some things that you'd like him to do 'with you', as opposed to 'for you'- and the best way to do that is as partners.
We've become so used to the concept as a measuring and sorting tool, that it and its correlates - below-average, above-average - are everyday speech. We don't even question the language, although the challenges we face require a different mindset.
I turn sentences around. That's my life. I write a sentence and then I turn it around. Then I look at it and I turn it around again. Then I have lunch. Then I come back in and write another sentence. Then I have tea and turn the new sentence around. Then I read the two sentences over and turn them both around. Then I lie down on my sofa and think. Then I get up and throw them out and start from the beginning.
The world is very disparate, in terms of the US using the most energy per person, and then the other rich countries - Europe, Japan, New Zealand - using about half of what we do, and then the world average being about a fifth of what we use, with China just now surpassing the world average.
If a man's got talent and guts to buck society, he's obviously above average. You want to hold on to him. You straighten him out and turn him into a plus value. Why throw him away? Do that enough and all you've got left are the sheep.
When you get immersed in whatever you're writing, the world does suddenly get so filtered through what you're writing. And then of course what you're writing then filters the world right back.
Age is getting to know all the ways the world turns, so that if you cannot turn the world the way you want, you can at least get out of the way so you won't get run over.
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