A Quote by Zosia Mamet

I think any actor in their right mind is afraid of getting pigeonholed. — © Zosia Mamet
I think any actor in their right mind is afraid of getting pigeonholed.
It's not fun for an actor to be pigeonholed in any way.
I was asked in an interview once: You're writing another book with a female lead? Aren't you afraid you're going to be pigeonholed? And I thought, I write a team superhero book, an uplifting solo hero book, I write a horror-western, and I write a ghost story. What am I gonna be pigeonholed as? Has a man in the history of men ever been asked if he was going to be pigeonholed because he wrote two consecutive books with male leads?
We're just afraid, period. Our fear is free-floating. We're afraid this isn't the right relationship or we're afraid it is. We're afraid they won't like us or we're afraid they will. We're afraid of failure or we're afraid of success. We're afraid of dying young or we're afraid of growing old. We're more afraid of life than we are of death.
Every actor wants to change things up a bit. You don't want to be pigeonholed, and not just because of what the industry might think.
I don't mind getting my hands dirty, and I don't mind getting to the truth of a situation and saying, 'You're right, you're wrong, next case.'
It used to be that you kind of got pigeonholed into one thing - you're either a stage actor or a TV actor or a movie actor. Today, there's a lot of crossover with film actors doing television, which never happened before, so those lines are a little bit more blurred than they used to be.
Fighters are afraid of conditioning, they are afraid of getting tired, but I don't want to have anxiety or be afraid of anything. I can go 100 percent out there and never have to worry about getting tired. Everybody says fighting is 90 percent mental, and it's true. Knowing you can go 15 minutes or 25 minutes without any problem can help you sustain that mental advantage over your opponent.
My first horror film was - well, I don't know. 'Bless the Child' is sort of genre, but 'May' was such a cult hit that after that, I just started getting offers for horror. I think I got a little bit pigeonholed in it right off of 'May' because there was just such a large response to that film.
I think filmmakers are always interested in getting the best actor that they can find, the person who's the most right for it.
As an actor, you want people to see you as a whole person, not just a single facet of your emotional spectrum. And whether it's the audience or the industry, you end up getting pigeonholed as one thing. So for people to see I can be funny and stay in shape is a bit of a weight off my shoulders.
When I was younger, I was nervous and didn't have a huge amount of confidence as an actor. Comedy is something - you know when you're getting it right because you can hear. And you can hear if you're not getting it right! I like to create interesting, weird characters, and they're often best in comedies.
With the last couple of Pantera records, we kept getting more and more narrow-minded because of Phil. He didn't want to experiment or take any chances, and it was like being in a tube that was getting to be so small you couldn't even breathe. Personally, I think the dude was afraid of success.
Any athlete or any actor who's preparing for a long time to step on a stage or step on a field or step on a movie set, who suffers an injury right before you're getting ready to perform or to execute - it is a massive challenge that's thrown your way that you didn't expect.
I am afraid of getting older … I am afraid of getting married. Spare me from cooking three meals a day—spare me from the relentless cage of routine and rote. I want to be free…. I want, I want to think, to be omniscient…. I think I would like to call myself ‘The girl who wanted to be God.
I love working with the right actor, and if the right actor happens to be unknown, that should be allowed, too, I think.
You never have any idea where your movie's going to go when you're shooting - you're in this little bubble. Everything you care about is getting the next step right: getting the script right, finding the right actors, shooting it.
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