A Quote by Zubin Mehta

I miss the standard of the New York Philharmonic's playing very much. It has certainly been a high point in my life. — © Zubin Mehta
I miss the standard of the New York Philharmonic's playing very much. It has certainly been a high point in my life.
It seems always to have been difficult to have been a New York Philharmonic conductor because of the nature of New York. We are in direct competition with the great orchestras in the world who come to play in our hall or in Carnegie, and we are constantly compared. I think that 's a good thing.
I've been lucky to conduct the very best orchestras in the world: New York, San Francisco, Chicago, Berlin, the London Philharmonic.
I feel like I've survived so much, and been through so much. And sometimes I miss the innocence of those times. Life was different. New York was different. The music business was different. I miss the simplicity of it, the naivete of everyone around me.
As I came to New York, it was for me a new beginning. To discover what people are living here. What do they need, what do they expect, what would they like to be the image and the performance of the New York Philharmonic?
And to understand this, I think this is a most important point where I would like always to be understood what we do with the New York Philharmonic. That the meaning of the music is number one.
I definitely think New York is a very, very vibrant, wonderful city, but I certainly, of course, can't help but miss a lot of the stuff that's no longer there.
I miss New York terribly. There is no place like the city. I miss people-watching. I miss the nightlife. I miss the food. There are so many options in New York City.
I think I infuse the music with a new passion. Part of this is because I have fallen in love: I am in love with the New York Philharmonic. The chemistry has just been right. Beyond expectation.
I think that's what so exquisite and unique about New York, it's a city that allows you to hone your craft as much as possible. There is no good or bad, somehow, strangely, there is no beginning or end. You certainly qualify it with the opening or closing of a run, but what's extraordinary is that you are actually allowed to be an artist here. It's very "belle époque," but somehow continually. That's why I love New York so much, honestly.
My whole childhood was filled with classical music and going to concerts of the New York Philharmonic and other New York ensembles and organizations, but interestingly, I didn't become conscious of wanting to be a musician until I was about 11. I was a rather late starter.
I went to school in New York and grew up in and out of New York. I love it, and I miss it, and every time I go back, I think, 'Why am I in Germany?' I do know that my career is really important to me, and in Germany, they've always been so much more supportive than my previous engagements in the dance world.
I'm drawn to write about upstate New York in the way in which a dreamer might have recurring dreams. My childhood and girlhood were spent in upstate New York, in the country north of Buffalo and West of Rochester. So this part of New York state is very familiar to me and, with its economic difficulties, has become emblematic of much of American life.
I miss the New York bagel but miss the New York bialy even more. It's a great compromise of bagel feeling with less dough stuffing.
The New York Philharmonic is a tremendous opportunity, a great orchestra.
I've been in California for about 15 years now. You're always in your car and insulated. I miss New York so much.
I can't imagine Jon Cryer performing with the New York Philharmonic isn't one of the signs of apocalypse.
This site uses cookies to ensure you get the best experience. More info...
Got it!