I think Obama did have a pitch, and it was he was gonna take care of you, and he was gonna fix everything that was wrong. And he personally was gonna guarantee you that things are gonna be okay. And he personally was gonna guarantee that the country be loved again. And he personally was gonna do all these wonderful things.
We wanna be free! We wanna be free to do what we wanna do. We wanna be free to ride. We wanna be free to ride our machines without being hassled by The Man! ... And we wanna get loaded. And we wanna have a good time. And that's what we are gonna do. We are gonna have a good time... We are gonna have a party.
There's gonna be a time when I'm way curvier, and that'll be sexy too. What defines sexy is not someone's weight. Personally I like curves. I wanna look good for me. I wanna feel good.
Personally I really like to see when a woman can put together a super fresh everyday look that is not over done or anything. It just makes me feel like she's really something and she knows she doesn't have to have on the super tight skirt.
In general, I don't even have the luxury of rehearsal time on most films that I make. It is just a scene-by-scene full cast read through. It's very much just doing the rehearsal sometimes the day before, at the end of the day, but just on the spot as the scene unfolds.
What I like is having a conversation that gets you on the right page. And, if that means having conversations in lieu of rehearsal - I don't wanna get up and cook the thing before we shoot it but I do wanna know that me and the director know exactly what we both want to achieve, and that we're moving in the same direction.
A lot of people don't really understand what rehearsal's about. People are afraid they're gonna leave it in the dressing room, or you're gonna shoot your wad in rehearsal.
I just wanna perform, I wanna get back on the scene, I wanna do all the festivals and stuff like that. I don't necessarily want to do all the bullshit that comes with it, like tons and tons of interviews, unnecessary things and all that.
The records that I like, they have life and warmth and soul in them. Like the slap back on Scotty Moore's guitar on 'Mystery Train.' You're not gonna get that in a computer. You're gonna want a live room, you're gonna wanna bounce the tape, you're gonna want real musicians, in a room, vibin' off of each other.
I have some friends, and they're super-hipster. And they're like, 'All I wanna do is sing in a jazz bar and to just make it to pay for the rent.' And I'm like, 'Cool... That's not what I wanna do. I want as many people as possible to go to my concert.'
If I'm gonna play a character in a movie or if I want to be the lead of a film, you wanna carry the guy, you wanna get the girl, you wanna save the day or the world.
The rehearsal period is so far away from the time when the scene will actually be shot that very little is remembered.
I'm different. Like, I recognize that, and I need to make sure that I am as prepared, that I understand, that I've done everything I can, knowing that people are gonna wanna say, 'She doesn't belong.' I wanna prove to them I do.
The world is gonna try to clean you up, what the f**k you gonna do about it? You're gonna say, "I wanna stay ugly".
Sometimes the scene is a sad scene but you have to play it with a laugh to find out that that doesn't work or that there's really a part of that in it, and that's what rehearsal is for, to take that time.
Yeah, you know, if I'm having an emotional scene I do like to go off and be by myself; not to say that I'm a method actor or anything like that, but for scenes like that that are more emotional, I do like to take that night off and not be so social.