A Quote by Zygmunt Bauman
Jews are no longer pressed and obliged to fight, hide or deny their Jewishness. What for? No one actually requires today to abandon the idiosyncrasy of some other culture or ethnic tradition. The great achievement of this last period is that we have been slowly, sometimes reluctantly, yet steadily, learning the art of living with differences.
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I have never heard of a tradition among Jews that encourages us to support each others' differences. Quite the contrary. What I've always been taught is that Jews forever see each other as bitter enemies whose differences are irreconcilable.
The great achievement of Western culture since the Enlightenment is to make many of us peer over the wall and grant some respect to people outside it; the great failure of Western Culture is to deny that walls are inevitable or important.
Love Is a curious thing. Sometimes it barrels into you, leaves you breathless. Other times, it comes in- to your life, a tentative beam of morning sun sneaking through the blinds, and you think this light isn't possible. The shutters are drawn. Night should linger on. I don't feel like waking. Yet the room comes slowly lit. Sleep slithers away, and at last you can no longer deny the dawning.
Race does not come into it. It is pure religion and culture. Something about the cultural tradition of Jews is way, way more sympathetic to science and learning and intellectual pursuits than Islam. That would have been a fair comparison.
When Zionism becomes co-extensive with Jewishness, Jewishness is pitted against the diversity that defines democracy, and if I may say so, betrays one of the most important ethical dimensions of the diasporic Jewish tradition: namely, the obligation of co-habitation with those different from ourselves.
Today we hear a great deal about Organizational Men, Mass Culture, Conformity, the Lonely Crowd, the Power Elite and its Conspiracy of Mediocrity. We forget that the very volume of this criticism is an indication that our society is still radically pluralistic. Not only are there plenty of exceptionalists who take exception to the stereotyping of the mass culture but that very string of epithets comes from a series of books that have been recent best-sellers, symptoms of a popular, living tradition of dissent from things as they are.
While some people have rejected capitalism gladly and swiftly, I've done so slowly and reluctantly. Part of the reason was that I could see no clear alternative: unlike some anti-capitalists, I have never been an enthusiast for state communism.
In the attempt to defeat death man has been inevitably obliged to defeat life, for the two are inextricably related. Life moves on to death, and to deny one is to deny the other.
There are certain records from the 80s and early 90s that you love because the songs are great, but you don't go to them as an example of great production. Over the last 20 years, myself and a lot of other musicians my age have tried to discover things in 50s, 60s, and 70s recording techniques that were lost or discarded. We've all been trying to crack this code. It's been an important period in the last 15 years, reclaiming some of those lost approaches to making records.
Street art is designed to be seen out of the corner of your eye, on the hoof. Art that's made for galleries is made to be looked at in a more static way for a longer period of time and may not be so striking immediately, but perhaps resonates for a longer period.
The Jews cannot be classed as a 'race' per se, they are an ethnic group. '...the Jews form an ethnic group; that like all ethnic groups they have their own racial elements distributed in their own proportions; like all or most ethnic groups they have their 'look,' a part of their cultural heritage that both preserves and expresses their cultural solidarity...they have developed a special racial sub-type and a special pattern of facial and bodily expression.
The mistake we make with many people - not just Russia - is that we believe we have the model, and there is a sort of a condescension in our dialogue with other societies, which was especially painful in several administrations to Russia. I think in Russia, the Yeltsin period is not considered a period of great achievement, but a period of corruption and humiliation.
Art has arrived at the paradox that tradition itself requires the occurrence of radical attacks on tradition.
Art can no longer be art today if it does not reach into the heart of our present culture and work transformatively within it that is, an art which cannot mould society — and through this naturally operate upon the core questions of our society — is not art.
Living longer is about loving longer, learning longer, teaching longer, connecting longer, if we figure out the supports and infrastructure to make all of that possible — and it is completely within reach.
Any man who can write a page of living prose adds something to our life, and the man who can, as I can, is surely the last to resent someone who can do it even better. An artist cannot deny art, nor would he want to. A lover cannot deny love.
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