Explore popular quotes and sayings by a Canadian actress Amanda Plummer.
Last updated on November 16, 2024.
Amanda Michael Plummer is an American actress. She is known for her work on stage and for her roles in such films as Joe Versus the Volcano (1990), The Fisher King (1991), Pulp Fiction (1994), and The Hunger Games: Catching Fire (2013). Plummer won a Tony Award in 1982 for her performance in Agnes of God.
I like taking a path into new country, and I always take the darker path. Not because it's dark, but because there's a secret there that you can share when you get out. That's what I liked as a kid. That's how I approach my work. With a face like mine, it's lucky I have a heart that likes that.
I don't play roles everybody likes. I'd rather have a career I'm proud of. Like everyone else, I need to eat. But I'm a very unbusinesslike person, and I keep my price low. I'm not a mass product. I'm not everyone's cup of tea.
I don't find anything interesting about the choices a character faces in major films or theater projects. The characters are just cut-out dolls with the American flag sewn on them.
Producers generally don't like me; directors do, generally. Convincing the producers is hard. They can't see the commercial value behind such a face, nor would they get a commercial value, necessarily - and I don't mean that in a good way or a bad way.
I had a strong propensity, which I still have, to be invisible. In grade school, I'd try to disappear and become formless. I lived in a very imaginary world. I loved poetry and wrote my first novel when I was 9. It was about a little girl and the people she met in the woods.
Before college, I acted in my room, to classical music, because music tells stories. I'd put on a record and proceed, silently. I'd keep putting the needle back to a certain segment because I hadn't died well enough. I had to really, really feel dead. I'd love to do a death scene.
I prefer theater, but I love to do films, and I prefer theater primarily because I've done more. I know less about movies. You can't lie in either medium. The wonderful thing is that the camera, just like an audience, is made out of skin - because celluloid is skin.
I like devilish, thorny, dirty, mean roles, muck and mire, unbelievably sad, unbelievably happy, burdened. Inner conflict - that's where drama is.