A Quote by Galcher Lustwerk
I used to do more melodic stuff, and I used to do more actual rap - like traditional hip hop vocals. I think my method of storytelling has led me to this point, at which I want to pare down my style. I think I give the lyrics more thought, and then when I try to perform the lyrics over the track I'll try it over and over again, and eventually the lyrics will sink into the track by the way I project them.
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It's no longer necessary to slave over the vocals. I don't sing the lyrics until I write them, and singing is the very last thing I do. I record the entire track, and then I worry about lyrics and vocals. The music will suggest where the words are going to a certain extent.
I try not to agonize over my lyrics, though, because that can come across in them. Some lyrics come more easily than others and some you have to spend a lot of time on, but I think you have to watch that you don't take the life out of them by worrying too much.
I approach song writing three different ways. One way is where I write the initial melody and lyrics first and then take it in to the producer to collaborate. Another way is where the producer sends me his initial musical track ideas and then I write the lyrics and melody over his track. The third way is where we just jam out in the studio and see what we come up with.
I don't write lyrics. I hear the track and sing in gibberish over it, then I try and fit words into the phrasing and melody that I already have set. Everything is left to chance.
Usually I will hear a sample, think of a theme and then it will take me a couple of days to write down some lyrics. Then I will decide that I hate those lyrics and rewrite. Then I will change all the music around. Then I will rewrite all the lyrics again. I am a bit of a perfectionist although you would never know it because all my songs are like chopped up and @#$%& up, but you see that's on purpose.
By no means am I excusing homophobic rap lyrics, but as a product of the same environments that birthed hip-hop, I fully understand why those lyrics existed.
Two records put me over the top with hip-hop. One of them was 'Planet Rock,' and the other had no lyrics - it was called 'Numbers,' from a group called Kraftwerk. Every kid in the 'hood in New York and New Jersey was popping, locking, and breaking to that record. It was the hottest track on the street at the time.
I was quite surprised when I started looking at the lyrics for 'Punk Prayer'. Given its brutal style, I did not expect the lyrics to be so well written and thought through. But the more I understood of it, the more I realised that this was not only a protest, it was brilliant art as well. So I decided I would try to strip away the layers that made me sceptical in the first place, and focus on the desperate beauty Pussy Riot have conceived in this song.
When you're younger and a little more innocent, you write whatever [lyrics] comes naturally. But as you get used to writing you try to steer the sound and music to different music and throwing in the "kitchen sink" of sorts into the music. With that way, you end up putting in much more than before and you could even make much more next time around.
![Steve "Lips" Kudlow](/assets/images/photos/avatars/steve-"lips"-kudlow.webp)
It was a period when they used to read into our lyrics a lot, used to think there was more in them than there was.
I want to do a stripped-down album. That style is actually where my heart is - storytelling and just letting the voice and the lyrics talk for themselves. I still want to write the perfect song and sing it in the most honest, undressed way. But I feel like I have to gather more experiences and more layers in my voice. I have to live more to be able to tell this tale. So I'm saving my folk record. I have a feeling nobody will understand it.
First we start with the lyrics. Most of the lyrics are done by Stefan Kaufmann and me. When we have enough lyrics and enough stories we have the lines to make titles. Then we collect all the ideas of everybody in the band and see which ideas fit together the best with the lyrics to get the right atmosphere. That's the way we compose.
Most people think its sex, money, and drugs but Hip-Hop is about lyrics, storytelling, and everybody having a different style. That's just another idea of beautiful, being yourself and creating music that represents you and what you like.
I was, like, 12 or 13; the first hip hop song I tried to rapping to was Macklemore's 'Thrift Shop,' and my English was so bad, but learning to rap to different songs really helped me with my pronunciation, and looking at the lyrics on Rap Genius and stuff like that.
Folk music usually has an emphasis on the lyrics and melody. And those lyrics are usually relevant in some way. And it's populist in scope, which is also true of Bad Religion. So it's more meant to draw some parallels between the two. And I think even my voice and my delivery can be thought of as a little bit folky.
For a while, I was working on transcribing rap lyrics and then converting them into rhythmic patterns on the piano. And so in my mind, when I was taking a solo, I would be saying the lyrics and trying to play actual notes to their rhythms. Now, the influence just comes in and out in my playing.
