A Quote by J. D. Souther

I'm a huge Robert Altman fan and don't take issue with his filmmaking, as eccentric as it is. But I just think 'Nashville' was a world he didn't know. — © J. D. Souther
I'm a huge Robert Altman fan and don't take issue with his filmmaking, as eccentric as it is. But I just think 'Nashville' was a world he didn't know.
I took a class my freshman year in high school called Intro To Film, and I was introduced to Robert Altman's films, and I wrote my first paper on a filmmaker and it was Altman's 'M*A*S*H,' and Nashville and I think 'Short Cuts' or 'The Player,' I don't remember.
One of the things that I love about Robert Altman's movies is that, really, a Robert Altman movie is just a bunch of short films about various people told at the same time.
The big influence on me was Robert Altman, who, especially in 'Nashville,' transformed my sense of dramatic structure and showed how you could handle overlapping stories.
I'm a big fan of Robert Altman, and one of the things I love in 'The Long Goodbye' is the way that he plays with the theme; it's just used in all these different ways.
Robert Altman's 'Nashville' is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.
I see interracial couples all the time in Nashville. I'm a Jew in Nashville. I'm a gay person in Nashville. It's a non-issue in most of the time. That's a huge leap forward.
A lot of people inspire me. I'm a huge movie buff. From studying and watching movies, over and over again, directly influential are Terrence Malik and his naturalism, Robert Altman and his exploration of improvisation, and Judd Apatow, in terms of his comedic process.
Robert Rodriguez is a genius, and I'm a huge fan of his.
I'm a huge Marvel fan and the fact that they take the liberties that they do in filmmaking I think, if anything, that it dignifies the comics and it says, "Yeah. This is a strong enough, robust enough source. We can bend it, it's elastic. It's bouncy."
I'm a huge Marvel fan, and the fact that they take the liberties that they do in filmmaking - I think, if anything, that it dignifies the comics, and it says, 'Yeah. This is a strong enough, robust enough source. We can bend it; it's elastic. It's bouncy.'
Robert Altman was such an incredible person to have the privilege to know and meet and have dinner with.
Bob Fosse, even though he wasn't gay. He was certainly queer and had a huge effect on the 'Hedwig' film, as did Hal Ashby and Robert Altman, who had a weird butch queer feeling about him. His films almost flirted with camp but in an extremely realistic acting way.
I just now put [Robert Altman] down feeling heartbroken but happily and deeply inspired. . . . Wonderful.
There's so much confidence and freedom that comes from that way of doing things. Robert Altman and Alan Rudolph make the set the place to be. It's fun. It's a kind of creative freedom that's really inspiring. Altman loved actors so much. He was a great mentor for me, really.
I was a die-hard, obsessed fan of Michael Jordan. I'd take his posters with me to away meets, I'd walk out on the deck in my Air Jordans before I swam, I'd write 23 on my cap. I'm just a huge Jordan fan.
I'm a huge fan of [Elijah Wood] work and a huge fan of him, as a person. What's great about getting to know him is that he's just a really lovely, regular guy.
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