A Quote by NikkieTutorials
Before I start, I search the internet for hours looking for inspiration - I look at horror movies, special effects, everything. Then, I take a bunch of screenshots, and pile them together in Photoshop to create a story for myself. I plan it out in my head, but I don't ever practice beforehand.
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Photoshop makes things look beautiful just as you have special effects in movies. It's just a part of life.
Even with the most stupid video games, kids learn more about learning than they ever did before, because they want to learn codes and moves before other kids figure them out. They're motivated to seek out someone or search the Net for help. A student who makes a video game has to solve mathematical problems to make special effects happen on the screen.
I take some pains to learn the material beforehand. I have a bunch of tricks I use to try and hit the ground running. I write everything out. I take the text and I very methodically go through, and that tends to put it into my head a little bit more solidly than if I just glanced at it and hoped for the best.
Getting sequestered and not really knowing what to do with your time and then discovering, 'Oh, I can watch a bunch of horror movies' has probably played out in a lot of people's discovery of horror.
Storytelling enables us to play out decisions before we make them, to plan routes before we take them, to work out the campaign before we start the war, to rehearse the phrases we're going to use to please or placate our wives and husbands.
Usually, when special effects get in the way, it's because the story isn't strong enough. If you don't start with a strong screenplay, it's easy to fall back on special effects, thinking it's going to carry you. But it never works. It's just tiresome.
I get inspiration from literally everything and anything. I take inspiration from people, relationships, stories, and I take inspiration from movies I see, books I read and songs I hear.
I love horror movies! I've loved horror movies since I was about eight years old, not that an 8-year-old should be watching The Shining, but I was allowed to, for some reason. Ever since then, I've loved good horror movies.
When I was a kid, I loved action, war, horror, monster movies... Anything with special effects. I was fascinated with how'd they do that.
Then very slowly I go to slightly lighter colors until little by little, the forms begin to take shape and I start to see what is happening. Since I never plan in advance, I simply let myself be led by instinct, taste and intuition. And it is in this manner that I find myself creating visions that I have never before imagined. And little by little certain color effects develop that excite me and I find the painting itself leading me on and I become only an instrument of a greater, wiser force...or being...or intelligence than I myself am.
If you look at 'American Horror Story' or 'Crime Story,' these are visceral, action-packed, sometimes bloody episodes of television. They're not 'feminine.' They're not about sexy women sitting around looking beautiful, drinking lattes. These episodes are calling cards to show companies like Marvel, 'Look, women can do these kind of movies.'
If you ever get rich and famous, by definition you are special. You have done something special, and therefore you start to behave special. Then if the floor drops out, and you become down and out, you have a really new perspective.
We certainly did take the country from the Indians. Right. So, but what's going on here, as I would call it a, sort of, morality tale. What the progressives do is, they take a few nuggets of American history, Columbus' arrival, then the founder's compromise with slavery, and what they do is they fast forward to their favorite episode, so to speak, and they create a story out of that leaving a whole bunch of facts out.
Once in a blue moon, everything will be right with the man in the sky, and when I start singing 'I Love a Rainy Night,' from out of nowhere, there will be lightning and thunder. I just say, 'Folks, we've got the best special effects guy in the world, so let's get wet together.'
Two sons, they'll both be presidents after they win their Nobel Prizes. And the daughters, they'll be prima ballerinas before they become the president of Princeton and start their Internet company. And I just started to think about What's the conventional load of those expectations you carry around? You have to pull them out one by one and smash them in the corner. You realize the pile is quite high. But in a way, it becomes oddly liberating to do that.
The way games are designed is you create a story, and then you create an obstacle course inside that story, and the player has to endure it to see more. So it's artificial. Game designers are so intensely worried about people getting bored that they pile on busy work for players to do.
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