A Quote by Oneohtrix Point Never
All of those 10cc 'Not in Love'-type synthetic choir sounds on 'Replica' are all from the Omnisphere. We used a lot of that.
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I think a lot people get caught up with the synthetic quality of electronic music, but me, I've always been more interested in all those more natural sounds, in organic electricity. That's something that I want to continue to work with.
I usually speak with all my drummers so that I write my songs with them in mind, and we'll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology, I can play all kinds of sounds - double bass and stuff.
I went to, you know, a church in Chicago, and my mom, of course, was in the choir because my mom was a singer; she used to sing. I wanted to be in the choir as well, and I was like, 'Mom, please, you know, I want to sing in the choir with you guys.' I kept on asking her, and finally I was, you know, in the choir.
I used to see Triumph TR7s and E-Type Jags, and I used to think, 'One day, I'm gonna have one of those.' I remember seeing an E-Type and walking round it 40 or 50 times.
I'm a '70s guy at heart. I play a lot of Bowie and 10cc at home.
It's not only the wealth of sounds in Omnisphere; You're struck by the fact that you hear magic sound after magic sound.
All those "getting hit/losing rings" sounds tend to be recorded toward the end of a recording session. Depending on the type of game, those efforts and screams can be pretty rough on the voice, so they usually like to record them at the end. You might do hundreds of versions of vocal sounds for a game and you can come out a little hoarse afterward.
When I got married, I hired a great choir - the St. James Choir, an all-black gospel choir - to sing at my wedding.
And I've teamed up with a choir from home. They're called the Gori Women's Choir. They're a 23-piece all-female choir, and they've been going since the '70s.
I used to sing in the church choir. People would say it was unusual for such a small girl to have such a big voice. They would say, 'She sounds like she's grown.'
I like real instruments, and try to stay from anything that sounds too synthetic.
With my trumpet voice, I love gritty, plunger, growly sounds. But vocally, I love Anita O'Day - a raspier but definitely softer sound. Part of the fun has been finding vehicles or writing for both of those sounds.
As a child, I was an active Christian. I used to love the school choir and remember the carol service as always such an emotional thing.
Preaching to the choir actually arms the choir with arguments and elevates the choir's discourse. There's a reason the right does it and does it well and triumphs.
When you're in a choir, it's about blending into how everyone else sounds.
Some of the old folk singers used to phrase things in an interesting way, and then, I got my style from seeing a lot of outdoor-type poets, who would recite their poetry. When you don't have a guitar, you recite things differently, and there used to be quite a few poets in the jazz clubs, who would recite with a different type of attitude.
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