A Quote by Q-Tip
Predating the Internet and predating videos, you had an active imagination. You would hear sounds and then get mental pictures of what these sounds felt like to you. It engaged you and made you more invested in it. It made you want to get tickets to the show, buy the album, put the poster on the wall. Now it's sensory overload.
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I don't physically put Appetite For Destruction in and listen to it, but I hear it on the radio or at sporting events or wherever else it pops up, and it's great. I dig everything about it. When I hear Appetite, it sounds like exactly what it was. It sounds like a record made by an angry bunch of kids.
The music defied classification. If I had been writing a review of the show, I would have labeled it progressive, guitar-driven rock ’n’ roll. But the guitars made sounds guitars didn’t always make. Symphonic sounds. Sacred sounds. The music dug in so deep you didn’t hear it so much as feel it, reminding me of a dream I used to have when I was a kid, where I would be standing on a street corner, I would jump into the air, flap my arms, and soar up into the sky. That’s the only way I could describe the music. It was the sonic equivalent of flight.
I think the problem with the term graphic novel is it sounds pompous, it sounds pretentious, whereas on the continent, they call it an album, which to me sounds, it's got more much of a connotation of a kind of a music single and an album collection.
I'm not sure what it would mean to have "made it." Made what? Yes, I can make a decent living in show business, so if that's the criteria, then I've made it. But that doesn't feel that important to me. The stuff that matters to me are the new challenges. I know that sounds hokey, but it's true.
I'd tell you all you want and more, if the sounds I made could be what you hear
I got to a happier point and then started making a record [Wild Things]. I don't mind at all that it sounds like LA, because LA was integral to me feeling better. Seeing the sunshine and all that other sorts of stuff was definitely a huge part in why the album sounds like it sounds.
I think a lot of electronic musicians are drawn to starting with texture because the whole reason we're working with electronics is to try to create new sounds or sounds that cannot be created acoustically. When you're doing that, it's nice to be able to just create a different palette for every single song. I feel like a lot of electronic music sounds like...Each album sounds like a compilation more than it does a band.
Rhythms and sounds are often the first thing I hear and want in a poem, so I can't imagine trying to translate something without at least being able to hear what it sounds like.
Most people don't take some things into consideration. When they hear an album, they hear the artist or they hear the lyric or they hear the melody. But they don't really think about the environment in which it was recorded, which is so important. It's that thing that determines what the album sounds like.
Albums tend to dictate what they need. Every time I have made an album it sort of feels like it is decided for me how that album is going to sound; it is not really a cerebral decision where you sit down and decide that you are going to make an album that sounds like 'this.'
But how do they get inside?" "They fly," Jace said, and indicated the upper floors of the building. [...] "We don't fly," Clary felt impelled to point out. "No," Jace agreed. "We don't fly. We break and enter." He started across the street toward the hotel. "Flying sounds like more fun," Clary said, hurrying to catch up with him. "Right now everything sounds like more fun.
'Meow The Jewels' was a nightmare of a promise I had to fulfill. We made a joke that if the fans gave us $40,000, we would remix our album using nothing but cat sounds.
I don't want to hear from a band that pretty much sounds like another band. Oh I've heared this riff before, or I've heared these words that everyone is saying. I want to hear new poetry, new guitar riffs, new drum-beats, new sounds. Then I'm really interested.
We sat on the bank and the river went by. As always, it was making sounds to itself, and now it made sounds to us. It would be hard to find three men sitting side by side who knew better what a river was saying.
The idea would be in my mind - and I know it sounds strange - is that the most important advances in medicine would be made not by new knowledge in molecular biology, because that's exceeding what we can even use. It'll be made by mathematicians, physicists, computer scientists, figuring out a way to get all that information together.
I think we've got every chance of being an Olympic sport and, if they did put us in, I know they'd sell a lot of tickets and the atmosphere would be fantastic. I would love to see it, I really would. If you want to sell tickets and get thousands of people there, then do it.
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