A Quote by W. Somerset Maugham

The author always loads his dice, but he must never let the reader see that he has done so. — © W. Somerset Maugham
The author always loads his dice, but he must never let the reader see that he has done so.
The author always loads his dice, but he must never let the reader see that he has done so, and by the manipulation of his plot, he can engage the reader's attention so that he does not perceive the violence that has been done to him.
A reader is doubly guilty of bad manners against an author when he praises his second book at the expense of his first (or vice versa) and then expects the author to be grateful for what he has done.
Few authors understand themselves, and a proper reader must not only understand his author but also be able to see beyond him.
If a reader likes a particular author, they keep reading all his books, and if the supply is not kept up, then the reader shifts his loyalties.
The so-called paradoxes of an author, to which a reader takes exception, often exist not in the author's book at all, but rather in the reader's head.
We must be forewarned that only rarely does a text easily lend itself to the reader's curiosity... the reading of a text is a transaction between the reader and the text, which mediates the encounter between the reader and writer. It is a composition between the reader and the writer in which the reader "rewrites" the text making a determined effort not to betray the author's spirit.
Writing is transmogrifying, not just for the reader but also for the author; an author becomes someone he or she isn't by living the lives of his or her characters.
The Transformation of the World is lavishly reinforced with critical apparatus (that, too, must have been a labor of Hercules to translate--I honestly never expected to see this book in English), but by far its greatest attraction is the intelligence and more important the wisdom of its author. It's a towering achievement no serious reader should miss.
It is excellent discipline for an author to feel that he must say all he has to say in the fewest possible words, or his reader is sure to skip them; and in the plainest possible words, or his reader will certainly misunderstand them. Generally, also, a downright fact may be told in a plain way; and we want downright facts at present more than anything else.
There's a contract that I make between myself, the author, and the reader. I have to figure out how to give the reader certain powers of recognition, or his own knowledge, his own feelings, but I provide them, so we're working together.
The author always knows more than the reader does at the start of a novel, and gradually, they share that knowledge with the reader - that's storytelling.
It is always a tense moment for an author to see how someone hasillustrated his or her story, because the author has lived for so long with these characters, sometimes for years.
To say that an author is a reader or a reader an author, to see a book as a human being or a human being a book, to describe the world as text or a text as the world, are ways of naming the readers craft.
If modesty and candor are necessary to an author in his judgment of his own works, no less are they in his reader.
I collect dice and I collect coins. I travel the world so I love dice, I always have dice on me. I collect magnets as well.
The birth of the reader must be at the cost of the death of the Author.
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