A Quote by Aaron Ramsey

When you're wide, you're taught to try and get in at the far post so the ball doesn't go straight across, but from that central position, you can use your instinct where to go.
You used to be taught to let the ball go as far as possible and then drop it on the runner, whereas now it might be even more advantageous to direct the ball in front of the bag and get the guy on the leg.
I get occasional tweets from people asking what shampoo and conditioner I use. I go straight for the Costco brand, Kirkland brand, the bulk shampoo. That's as far as I go.
From my position, obviously I want to maximise my potential and go as far as I can go and as high as I can go, but I'm not chasing fame. I get enough of that.
Ball caps travel far and wide. They do far more than keep the sun out of your eyes or the cold off your head. Ball caps are a statement.
There was clearly great charm and worth in a sport so quaintly perverse in its basic instructions. Hit down to make the ball rise. Swing easy to make it go far. Finish high to make it go straight.
When you lose the ability to step up and hit the ball as hard and as far as you want, that also affects your ability to will the ball to go where you want it to go, if you know what I mean.
I find the ball, and I think, 'Where's the ball going, and where do I need to go?' It just puts me back in the game, and it's the simplest thing, but it's become sort of like my soccer mantra. I simply use the ball as my focus point and move back into position, and the distracting thoughts disappear, and I'm right back in the game.
I try not to get analytical in the writing process. I try to just kind of keep the flow from my brain to my hand as far as the pen is concerned and go with the moment and go with my guts.
I just try to be in tune with my body. If I start to feel sick, I will try to catch it at the root. I don't really let myself get to the point where it becomes a problem. That's so important when you're travelling because if you land in Paris and you have to go from the airport straight to set, you don't have time to go to the doctor.
If I don't get the service or if I don't the ball in the box, where I want it, I start drifting into midfield. I go and look for the ball. I try to be important for the team in other areas.
One day I won't play for Barcelona. I'll go and play somewhere else, and I'm sure I'll do so as a central midfielder. That's what I'll try to do because it's the position I like.
If the wind is in your face, you swing too hard just to get the ball through it; if the wind is at your back, you swing too hard just to see how far you can get the ball to go.
That's the biggest difference from college to NFL. Everybody's so talented at this level, the difference is knowing the game - knowing where to go with the ball in my position, knowing how to execute your job to the highest level. In college, you could just get by playing ball.
Sometimes when I play on the wing, I have to remind myself to stay out wide because I tend to naturally drift in towards the ball. I try to get on the ball and make something happen.
It [the scene] can be something given to you and you go, "Ah this is a good idea, I can work with this." Sometimes it cuts right across your instinct and that's when I might resist. Even if the director might be insistent, I think it's very important to say, "Look, I'm not feeling this. I'll try to make it work but I got to let you know."
When we have to defend, I just try to recover the ball for the team because it's important, but I always try to go forward when we have the ball.
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