A Quote by Aaron Sorkin
I wrote the show West Wing for the two years before and the two years after 9/11. Suddenly everyone in the world had been through something that our characters had not been through; the whole trajectory of the world had changed. Yet our show took place in a parallel universe. I wasn't really sure what to do about this. In no one's wildest dreams did it occur that an event like this could possibly happen.
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The world had already changed before September 11. The world has been going through a process of change over the last 20 or 30 years. A civilization ends, another one begins.
Mia and I had been together for more than two years, and yes, it was a high school romance, but it was still the kind of romance where I thought we were trying to find a way to make it forever, the kind that, had we met five years later and had she not been some cello prodigy and had I not been in a band on the rise - or had our lives not been ripped apart by all this -I was pretty sure it would've been.
It is better to allow our lives to speak for us than our words. God did not bear the cross only two thousand years ago. He bears it today, and he dies and is resurrected from day to day. It would be a poor comfort to the world if it had to depend on a historical God who died two thousand years ago. Do not, then, preach the God of history, but show him as he lives today through you.
After all that I'd been through, after all that I'd learned and all that I'd been given, I was going to do what I had been doing every day for the last few years now: just show up and do teh best that I could do with whatever lay in front of me.
In September, I left the show. We were going through discussions and negotiations, and I had been on the show for about 11 years, and there were some things that I was asking for that I didn't feel were the moon or the stars.
The fire of my tribulations had not simply been pain to be endured. It had been an agent of transformation. After all that I'd been through, I'd changed. Not for the worse, I was pretty sure--at least not yet. But only a moron or a freaking lunatic could have faced the things I had and remained unfazed by them.
Because if you remember - and people forget this - the first two years of Game of Thrones everybody was going, "I don't know what's going on, but I really like it." And you really didn't know what to make of a lot of people, and now it's changed and people aren't really talking about that. Now it's like you're watching West Wing or Friends, you know the characters and you're like, "What in the world is going to happen?"
I think we had to push forward to make sure it was different, do something that we had never done before and yet still have the consistency to stay in the same world. This was our chance to do all the things we didn't get a chance to do before. We've been working on these movies [Kung Fu Panda] for twelve years and we have to keep things exciting for us in order for us to devote that many years of our lives to do this.
After 9/11, we had to look at the world differently. After 9/11, we had to recognize that when we saw a threat, we must take it seriously before it comes to hurt us. In the old days we'd see a threat, and we could deal with it if we felt like it or not. But 9/11 changed it all.
The Monica Lewinsky scandal was happening at the very time I was writing the West Wing pilot and it was hard, at least for Americans, to look at the White House and think of anything but a punch line. Plus a show about politics, a show that took place in Washington, had just never worked before in American television. So the show was delayed for a year.
And then, one Thursday, nearly two thousand years after one man had been nailed to a tree for saying how great it would be to be nice to people for a change, a girl sitting on her own in a small café in Rickmansworth suddenly realized what it was that had been going wrong all this time, and she finally knew how the world could be made a good and happy place. This time it was right, it would work, and no one would have to get nailed to anything.
I wrote 'Marvels,' which was about a guy who had two daughters, and I wrote 'Astro City Volume 2 #1,' which was about a guy who had two daughters. In both cases, about a year and a half or two years apart. And then after that, I had two daughters, about a year and a half or two years apart.
We had the great depression, we had two world wars, we had the flu epidemic. We had oil shock. We had all these terrible things happen. But something about the American system unleashed more and of a potential to human beings over that hundred years so that we had a seven for one improvement in - there's never been any - I mean, you have centuries where if you've got a 1 percent improvement, then it's something. So we've got a great system. And we've got more productive capacity now than we ever have.
We are a resilient country. We've been through a Civil War; we've been through two World Wars. We've been through a Great Depression; we even made it through Jimmy Carter! We will make it through the Obama years!
My reason for leaving 'Beautiful', because I had such an amazing time on that show, was by the time I left, I had been doing the show for almost two years. I was a little burnt out.
By 2013, at the age of 29, I was failing. I had left two good jobs in succession to complete a novel I'd been tooling around with since 2009, had enrolled in a graduate programme in Texas, as far away from home as possible, to finish it - and yet: what did I have to show for it after five years of work?
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