A Quote by Aberjhani

The reality of a serious writer is a reality of many voices, some of them belonging to the writer, some of them belonging to the world of readers at large. — © Aberjhani
The reality of a serious writer is a reality of many voices, some of them belonging to the writer, some of them belonging to the world of readers at large.
Something in me was always watching life from the outside, permanently obsessed with the notion of belonging vs. not-belonging [to a group]. It did not make for a happy childhood, but it was excellent training for a writer.
To say that a writer's hold on reality is tenuous is an understatement-it's like saying the Titanic had a rough crossing. Writer's build their own realities, move into them and occasionally send letters home. The only difference between a writer and a crazy person is that a writer gets paid for it.
When a writer is already stretching the bounds of reality by writing within a science fiction or fantasy setting, that writer must realize that excessive coincidence makes the fictional reality the writer is creating less 'real.'
Some people feel fulfillment from a bitter end - it gives them some sort of sense of reality. But, when you're dealing with reality, I feel like films should discover the part that is happy. That's also reality. Things working out is a reality. It's encouraging.
Every writer making a secondary world wishes in some measure to be a real maker, or hopes that he is drawing on reality: hopes that the peculiar quality of this secondary world (if not all the details) are derived from Reality, or are flowing into it.
A great writer created a world of his own and his readers are proud to live in it. A lesser writer may entice them in for a moment, but soon he will watch them filing out.
A great writer creates a world of his own and his readers are proud to live in it. A lesser writer may entice them in for a moment, but soon he will watch them filing out.
Non-fiction is a big responsibility. Rationality. Facts. The urgent need to reflect some small aspect of reality. But fiction is a private autism, a self-referential world in which the writer is omnipotent. Gravity, taxes, and death are mere options, subject to the writer's fancy.
Stories in families are colossally important. Every family has stories: some funny, some proud, some embarrassing, some shameful. Knowing them is proof of belonging to the family.
For 35 years I was a writer. I wrote a lot of jokes. Some of them weren’t funny. Some of them weren’t appropriate. Some of them were downright offensive. I understand that.
For 35 years, I was a writer. I wrote a lot of jokes. Some of them weren't funny. Some of them weren't appropriate. Some of them were downright offensive. I understand that.
For the serious mediocre writer convention makes him sound like a lot of other people; for the popular writer it gives him a formula he can exploit; for the serious good writer it releases his experiences or emotions from himself and incorporates them into literature, where they belong.
Many, however, gives themselves to God, but preserve still in their hearts some attachment to creatures, which prevents them from belonging entirely to God.
The great #? conversion called for by Jesus is to move from belonging to the world to belonging to God.
Belonging is the innate human desire to be part of something larger than us. Because this yearning is so primal, we often try to acquire it by fitting in and by seeking approval, which are not only hollow substitutes for belonging, but often barriers to it. Because true belonging only happens when we present our authentic, imperfect selves to the world, our sense of belonging can never be greater than our level of self-acceptance.
Many a young person tells me he wants to be a writer. I always encourage such people, but I also explain that there's a big difference between being a writer and writing. In most cases these individuals are dreaming of wealth and fame, not the long hours alone at the typewriter. You've got to want to write, I say to them, not want to be a writer. The reality is that writing is a lonely, private and poor-paying affair. For every writer kissed by fortune, there are thousands more whose longing is never requited. Even those who succeed often know long periods of neglect and poverty. I did.
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