A Quote by Aberjhani

Poetry looking in the mirror sees art, and art looking in a mirror sings poetry. — © Aberjhani
Poetry looking in the mirror sees art, and art looking in a mirror sings poetry.
One of the jobs of art is to inspire discussion, and Brokeback Mountain certainly has done that. It's like a window and a mirror. You're looking through a window at lives you may or may not have experienced. But it's a mirror in the sense we've all felt lonely; we're all, at one time or another, looking for and hoping for love.
To the question, ‘Is the cinema an art?’ my answer is, ‘what does it matter?’... You can make films or you can cultivate a garden. Both have as much claim to being called an art as a poem by Verlaine or a painting by Delacroix… Art is ‘making.’ The art of poetry is the art of making poetry. The art of love is the art of making love... My father never talked to me about art. He could not bear the word.
Poetry, it is often said and loudly so, is life's true mirror. But a monkey looking into a work of literature looks in vain for Socrates.
The physical body is an agent of the spirit and its mirror. It is an engine and a reflection of the spirit. It is the spirit's ingenious memorandum to itself and the spirit sees itself in my body, just as I see my own face in a looking glass. My nerves reflect this. The earth is literally a mirror of thoughts. Objects themselves are embodied thoughts. Death is the dark backing that a mirror needs if we are to see anything.
The mirror sees the man as beautiful, the mirror loves the man; another mirror sees the man as frightful and hates him; and it is always the same being who produces the impressions.
There are so many people who have a training in art history; and if you've spent time looking at old art, you become attuned to what art does through materiality and so you begin to look to that in contemporary art as well. And anyway, I do think that matching one's experience with what you're looking at and questioning what you're looking inevitably involves materiality, just like it involves the sense of place.
For an American, there's no automatic place where people love the art of poetry. There's not a social class that considers poetry its property the way in some countries there's a snob value to the art.
The act of writing itself is much like the construction of a mirror made of words. Looking at certain illuminated corners of or cracks within the mirror, the author can see fragments of an objective reality that comprise the physical universe, social communities, political dynamics, and other facets of human existence. Looking in certain other corners of the same mirror, he or she may experience glimpses of a True Self sheltered deftly behind a mask of public proprieties.
The poetry of art is in beholding the single tower; the poetry of nature in seeing the single tree; the poetry of love in following the single woman; the poetry of religion in worshipping the single star.
I think of poetry as something out there in the world and within each of us. I don't mean that everyone can write poetry - it's an art, a craft, it requires enormous commitment like any art. But there's a core of desire in each of us and poetry goes to and comes from that core. It's the social, economic, institutional gap that makes it difficult.
The library was open for one hour after school let out. I hid there, looking at art books and reading poetry.
Punk is like looking at a mirror. I already have a mirror so I don't need the Offspring to remind me how gorgeous I am.
I can't believe that 100% of the people who stand in art galleries looking at art are thinking, 'Well, here I am, looking at art.' They must be having some sort of other, unselfconscious experience.
Looking in the mirror to check if my tie is straight is a waste of my time. I only look in the mirror once a day, and that's in the morning when I shave.
I'm a mirror glass for the Muslims as well as the Western world, which looks at me in a slightly different way, but they are looking in the same mirror.
Spoken word poetry is the art of performance poetry. I tell people it involves creating poetry that doesn't just want to sit on paper, that something about it demands it be heard out loud or witnessed in person.
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