A Quote by Ava Gardner
Mama, you know, poor baby, she'd had her family all finished: four daughters and a couple of sons, and suddenly, I arrived in her midlife on Christmas Eve 1922.
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Fine,' Aria conceded. 'But *I'll* carry her.' She grabbed the baby seeat from the back. A smell of baby powder wafted up to greet her, bringing a lump in her throat. Her father Byron, and his girlfriend, Meredith, had just had a baby, and she loved Lola with all her heart. If she looked too long at this baby, she might love her just as much.
I love my family but my family - they're the type of people that never let you forget anything you ever did... I was in the first grade Christmas play - I'm playing Mary. Now, during the course of the play, I dropped the baby Jesus... They still talk about this. I go to my family reunion, and one of my cousins just had a baby. So I'm like, 'Oh, that's a cute little baby. Let me hold the baby...' And my aunt runs over, 'Don't you give her that baby! You know she dropped the baby Jesus!'
Her family had of late been exceedingly fluctuating. For many years of her life she had had two sons; but the crime and annihilation of Edward a few weeks ago, had robbed her of one; the similar annihilation of Robert had left her for a fortnight without any; and now, by the resurrection of Edward, she had one again.
She remembered the story from her childhood, about Adam and Eve in the garden, and the talking snake. Even as a little girl she had said - to the consternation of her family - What kind of idiot was Eve, to believe a snake? But now she understood, for she had heard the voice of the snake and had watched as a wise and powerful man had fallen under its spell. Eat the fruit and you can have the desires of your heart. It's not evil, it's noble and good. You'll be praised for it. And it's delicious.
You know, and the fact that Nina Simone had to start playing in clubs and sing because her parents had moved north to support her music education. You know, so she had to sing. She had to make a living 'cause she was supporting her family. So poverty and race put her in this place which, you know, created enormous success, but it's not what her psyche was all about.
I wonder if Eve could write letters in Paradise! But, poor Eve, she had no one to write to - no one to whom to tell what Eden was, no beloved child to whom her love traveled through any or all space. Poor Eve!
I'm looking for a writer who doesn't know where the sentence is leading her; a writer who starts with her obsessions and whose heart is bursting with love, a writer sly enough to give the slip to her secret police, the ones who know her so well, the ones with the power to accuse and condemn in the blink of an eye. It's all right that she doesn't know what she's thinking until she writes it, as if the words already exist somewhere and draw her to them. She may not know how she got there, but she knows when she's arrived.
At that moment a very good thing was happening to her. Four good things had happened to her, in fact, since she came to Misselthwaite Manor. She had felt as if she had understood a robin and that he had understood her; she had run in the wind until her blood had grown warm; she had been healthily hungry for the first time in her life; and she had found out what it was to be sorry for someone.
You had every right to be. He raised his eyes to look at her and she was suddenly and strangely reminded of being four years old at the beach, crying when the wind came up and blew away the castle she had made. Her mother had told her she could make another one if she liked, but it hadn't stopped her crying because what she had thought was permanent was not permanent after all, but only made out of sand that vanished at the touch of wind and water.
Mama took me in her arms and held me tight. Her embrace was hot and she smelled like sweat, dust, and grease, but I wanted her. I wanted to crawl inside her mind to find that place that let her smile and sing through the worst dust storms. If I had to be crazy, I wanted my mama's kind of crazy, because she was never afraid.
My grandparents, one Christmas, they did not have anything. They did not have money to buy presents. So my grandmother went to the orange tree outside her home, and so her boys did not go without for Christmas, she took oranges to her sons as presents.
Zoe readied her arrows. Grover lifted his pipes. Thalia raised her shield and I noticed a tear running down her cheek. Suddenly it occurred to me: this had happened to her before.She had been cornered on Half- Blood Hill. She'd willingly given her life for her friends. But this time she couldn't save us.
As strong as we are, we have our moments. My mama is an African woman who had four kids and was a nurse for 25 years, and she had her moments. I've seen her cry.
It was like Mama suddenly realized I was good, that she didn't have to apologize for me. It was the strangest feeling. One minute I was on stage with my mother, the next moment I was on stage with Judy Garland. One minute she smiled at me, and the next minute she was like the lioness that owned the stage and suddenly found somebody invading her territory. The killer instinct of a performer had come out in her.
She had sacrificed her childhood to save her brothers; she loved her family above all else, and her spirits yearned to return home once more, to the wild forest and the land of mystic tales and ancient spirits whence he had taken her. That was the place of her heart, and if he loved her, he must let her go.
The adolescent does not develop her identity and individuality by moving outside her family. She is not triggered by some magic unconscious dynamic whereby she rejects her family in favour of her peers or of a larger society.... She continues to develop in relation to her parents. Her mother continues to have more influence over her than either her father or her friends.
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