A Quote by Abraham Lincoln

When I have a particular case in hand, I have that motive and feel an interest in the case, feel an interest in ferreting out the questions to the bottom, love to dig up the question by the roots and hold it up and dry it before the fires of the mind.
There are some circumstances in which the First Amendment interest comes up against another interest that is really important and in which we have to make a decision in a particular case as to which is more important.
My interest as a writer is not in reflecting actual human speech, which, of course, does not occur in sentences and is totally undiagrammable. My interest is in trying to reflect the reality of experience - how we feel when we talk to each other, how we feel when we're engaging with questions that interest us.
Well, I - all cases to me have interest. Every case is important to somebody, the people litigating that case. But the most difficult case for me is the case where one person says a, the other person says b, and you just don't know for certain who is not telling you the truth.
Surely the test of a novel's characters is that you feel a strong interest in them and their affairs the good to be successful, the bad to suffer failure. Well, in John Ward, you feel no divided interest, no discriminating interest you want them all to land in hell together, and right away.
In my particular case foreign policy happens to be my hobby, my consuming interest. I had spent decades studying it.
I open up my violin case every day, and have one of the great creations. It is very inspiring. It makes you want to practice. How can you open up a case and look at a violin that was made in 1713 by one of the greatest artists in history and then say, "No, I don't feel like practicing today."
We know that there are chiselers. At the bottom of every case of criticism and obstruction we have found some selfish interest, some private axe to grind.
I feel like I should be a really happy, bubbly person to correspond with my good fortune, but I'm more of a this-could-dry-up-any-minute person who tries to enjoy it while it lasts. And if it does dry up, I'll still have the people I love, and I'll just figure out how to pay rent.
Set up another case bartender! The best thing for a case of nerves is a case of Scotch.
As a former prosecutor, I never presented a case in front of the grand jury that didn't result in an indictment. Bottom line: If a prosecutor wants to indict a case, the case gets indicted.
[T]he most common and durable source of factions has been the various and unequal distribution of property. Those who hold and those who are without property have ever formed distinct interests in society. Those who are creditors, and those who are debtors, fall under a like discrimination. A landed interest, a manufacturing interest, a mercantile interest, a moneyed interest, with many lesser interests, grow up of necessity in civilized nations, and divide them into different classes, actuated by different sentiments and views.
The human interest, and the natural interest, and the spiritual interest of this planet need to begin to take a priority over the corporate interest, the military interest, and the materialistic interests.
You feel everybody has your best interests in mind, but you come to find out that's not necessarily the case.
But against love, the case was solid. Easily argued. And you could, indeed, hold it in your hand.
I love when rappers have a off-beat, very abstract timing, and he certainly did.And any rapper who really approaches rapping with the art form of songwriting melodically - I know a bunch of rappers who actually go in before they write the lyrics and come up with the melody. And you can hear and feel that difference so much when that's the case.
All aspects of photography interest me and I feel for the female body the same curiosity and the same love as for a landscape, a face or anything else which interests me. In any case, the nude is a form of landscape. There are no reasons for my photographs, nor any rules; all depends on the mood of the moment, on the mood of the model.
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