A Quote by Agatha Christie

There are some people who don't conform to the signals. An ordinary well-regulated locomotive slows down or pulls up when it sees the red light hoisted against it. Perhaps I was born color blind. When I see the red signal -- I can't help forging ahead. And in the end, you know, that spells disaster.
Red has been praised for its nobility of the color of life. But the true color of life is not red. Red is the color of violence, or of life broken open, edited, and published. Or if red is indeed the color of life, it is so only on condition that it is not seen. Once fully visible, red is the color of life violated, and in the act of betrayal and of waste.
I think my least favorite hair color was the hair color that I had in 'Pitch Perfect 2.' They really wanted me to be dark red, and I wanted to be lighter like I was in the first movie, but they didn't want that. But I rocked some light red for a year, after it faded.
Say you write a song about a chandelier, and the chandelier gives off light. And the light is the color red and red reminds you of the color your not supposed to wear around a bull. So you name the song 'Cow.'
If I decide to make a coat red in the show, it's not just red, I think: is it communist red? Is it cherry cordial? Is it ruby red? Or is it apple red? Or the big red balloon red?
Bet you don't know why the sun sets red. You see, light is made up of lots of colors. And out of all those colors, red is the one that travels the farthest.
Look, I still think Texas is a - is a red state. It's going to continue to be a red state. I think as people stay more time in Texas, they become red. They see what, you know, Texas, kind of low tax, you know, a pro-business economy is doing for them as well. It's a well-run state.
The true color of life is the color of the body, the color of the covered red, the implicit and not explicit red of the living heart and the pulses. It is the modest color of the unpublished blood.
Munch writes poetry with color. He has taught himself to see the full potential of color in art His use of color is above all lyrical. He feels color and he reveals his feelings through colors; he does not see them in isolation. He does not just see yellow, red and blue and violet; he sees sorrow and screaming and melancholy and decay.
You make a movie, and if there's a red light flashing in the distance, everyone thinks that the director had a whole lot of money and a great idea that the red light means something. Then you say, 'Yeah, we couldn't afford to shut the red light off that was broken two blocks away.'
For her everything was red, orange, gold-red from the sun on the closed eyes, and it all was that color, all of it, the filling, the possessing, the having, all of that color, all in a blindness of that color." - Ernest Hemingway.
Some people can't see the color red. That doesn't mean it isn't there.
Some people associate red with love, but to me, red is for an earlier stage of a relationship. Black is much deeper, to me. It's certainly the sexiest color.
Well Vin says that there's something behind all this, right? Some evil force of doom or whatever? Well, if I were said force of doom, then I certainly wouldn't have used my powers to turn the land black. It just lacks flair. Red. Now, that would be an interesting color. Think of the possibilities--if the ash were red, the rivers would run like blood. Black is so monotonous that you can forget about it, but red--you'd always be thinking, 'Why, look at that. That hill is red. That evil force of doom trying to destroy me certainly has style.
Hue does not refer to how light, dark, or intense, but only what kind of color: what hue. It takes all three aspects to make a color, therefore 'red' is not a color, but only one aspect, the hue, of some partially defined color.
And red is not the color of apples or roses or the dresses that pretty girls wear in the summertime. That is not the color of red at all.
When you see a fashion show, you see those seven minutes of what was six months of tedious work of, you know, going up an inch and down an inch, changing it from one shade of red to another shade of red. So it's the same as any creative process. The result is what we see, but the process is really labor intensive and work.
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