A Quote by Agnes Varda
I was a photographer first.I worked alone. I did it my way as much as I could. I have been sort of courageous about doing things, because I didn't think I should do less than my brothers.
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I think the first film you do with your instincts because you haven't learned with another director or you haven't worked on other films, so you tend to do things your own way. I think what I learned the most was to take your time, to try to be less rushed into things and have some distance with what you're doing.
I do talk and think a lot about the legacy before me. I feel like if I didn't know that people had been in Montgomery sixty years ago trying to do similar things that I'm trying to do, with a lot less, with fewer resources, with less security, with less encouragement, with less opportunity - if I didn't know that, then I think doing what I do would be much, much harder.
People talk about Frank Sinatra all the time - and they should talk about Frank - but he had the greatest arrangers. They worked for him in a different kind of way than they worked for other people. They gave him arrangements that are just sublime on every level. And he, of course, could match that because he had this ability to get inside of the song in a sort of a conversational way. Frank sang to you, not at you, like so many pop singers today. Even singers of standards.
I think people should feel less restricted by the perimeters of things like 'menswear' and 'womenswear.' It's not something that I really give much credence to when I'm buying clothes. I buy mostly ladies clothes. I think to be yourself, first and foremost, that's the easiest way to think about it.
I was 18 when I did 'The Amanda Show,' and I was 19 when I did 'MadTV,' and I was in way over my head. I was just sort of a goof who could do impressions of WB stars - speaking of the Dawson Van Der Beek era - and it was overwhelming. I don't think I've learned more faster in my life than when I worked on 'MadTV.'
The first things I did was I was a writer, painter, and photographer, and we grew up very poor, so even though I could get into any college I wanted, there was no way to pay for it.
I've pretty much always been on a diet since I was born. And the women in my family struggle, so I find the less I think about food, in a way, the happier I am. In general, I think I eat less the less I think about it.
I couldn't have articulated this process at the time; I just sort of did it instinctually. But now when I talk about this with my students all the time, it's one of the first things I address in memoir classes - that you have to put it all in because you're writing your way into the ending of your own story. Even if you think you know what the story is, you don't until you write it. If you start leaving things out you could leave out vital organs and not know it.
When my mother died, it sort of put a damper on things. My career didn't have the same significance or excitement. It had always been about doing well for my family - my brothers, sisters, father, mother. Then something interesting and important happened - I started doing things for me.
Think of US slavery in 1850, or the subjection of women. Both of these injustices could have been - and were! - defended by pointing out, quite correctly, that this situation of slaves and women had been improving throughout the preceding century. Slaves, in particular, were worked less hard, beaten and raped less frequently, better fed, and less often ripped apart from their families. So would a celebration of moral progress have been appropriate in 1850? Surely not. Slavery could have been and should have been abolished - then, if not before.
I became more courageous by doing the very things I needed to be courageous for-first, a little, and badly. Then, bit by bit, more and better. Being avidly-sometimes annoy-ingly-curious and persistent about discovering how others were doing what I wanted to do.
Oh, absolutely. James Caan was the first movie star I'd ever met, much less worked with. He was an important person to me and my brothers and Wes. Bottle Rocket was the first movie for all of us. As you know, back then, [Caan] was having some career changes, I think.
Sex is more openly spoken about than 40, 50 years ago, and I think probably in comparison to a lot of bands - certainly other contemporary pop girl bands - we're certainly not as suggestive. We talk about sex in the way that we would to our friends. As a girl group, I think it was important not to avoid those sort of things either, because it's about confronting people's idea of what women should be talking about and how they should talk about it. There's no point in shying away from subjects like that, because they exist.
I love to be busy and be challenged. I'm my happiest when I'm under pressure and almost overwhelmed by how much I have to get done. I wish I could say I'm an architect and planned it this way, foresaw doing all these things, but honestly, I've been lucky that things have come across my path and they've worked out well for me.
Most of my life, everybody made more money than I did at the places I worked. In fact, when I've been an employee, I have never been anywhere close to being the highest paid person there, never. I was working hard. I was working hard. I was doing things I didn't want to do, that I thought I should do. I was getting up every day, going to work, did not phone in sick. Striving. Trying to get ahead, you know, doing what Obama says, working hard and applying myself and trying to get ahead. There was always somebody, there were always a lot of people that earned more than I did.
It's been written about as "the overview effect." All I can give you is my perspective, but most all of the people who have been in space start to see the world without boundaries. You start to think about how we can keep doing these things we're doing that are destructive of the environment and destructive of the planet. It causes you to start to think things in a quite different way than we had before.
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