A Quote by Adam Vinatieri

I get to put on a helmet, go out in front of 70,000 people and play a kids game. And they pay me to do it. — © Adam Vinatieri
I get to put on a helmet, go out in front of 70,000 people and play a kids game. And they pay me to do it.
I don't put any thought into the footballs after I choose them. When you're out there playing in front of 70,000 people, like a home crowd, you don't think about it. You're just reacting to the game.
When you walk out in front of an audience of over 70,000 people, you've got to be on your game. They deserve it.
I always said put me in front of 40 or 50,000 people and play hockey, I'm comfortable there. Put me in front of 50 people to talk or get in front of, and that's where I'm probably the least comfortable.
I play in front of 70,000 fans week in and week out, and I may drop the ball in practice, I may run the ball the wrong way, but once it's game time, it's game on.
I can play in front of 30,000 people at Fenway and not be nervous at all. But I get really nervous in front of kids.
It's like kids playing house: 'You play the father, I'll play the mother.' You know, you dress up, you play, they pay, you go home. It's a game - acting's a game.
Going out to play a game in front of 100,000 spectators doesn't worry me. Nothing to it.
I'm much more comfortable and confident running out on the field in front of 70,000 people instead of standing in front of a camera trying to say some lines.
We'll go out and we'll be playing in front of 15,000 people and say, 'Hey, we're going to do three new songs from something we just recorded' and 5,000 people get up and go get a hot dog and a beer and they don't come back until they hear the opening strings of 'The Joker' or 'Fly Like an Eagle.'
I'm much more comfortable and confident running out on the field in front of 70,000 people instead of standing in front of a camera trying to say some lines. The people who do that as a profession are very talented because it's certainly not easy.
It doesn't get much more special than playing at Wembley in front of 70,000 people. It's definitely what dreams are made of.
Being in a career and going from highlight to highlight and playing a lot of matches you go through it and think it's normal when you play in front of 60,000 and you almost want to vomit in front of every game.
Maybe you play a melody twice. You play it once like you like it, and some parts that you don't like you can just switch. An eight-bar motive - you can just take it and put it in the front or back or something like that. It can save you 50 or 60 or 70,000 dollars, a drum machine. That's why everybody uses it.
If you can't motivate yourself to get up and play in front of 30,000-40,000 people, then you're not in the right job.
I can play the main stage at the Newport Folk Festival in front of 10,000 people and do all the gigs and stuff I want to do. Then I can go home and get toilet paper on a Sunday morning and not get hassled.
Working with all of these kids is great. It doesn't get any better than this, to come down and inspire kids who want to play the game of basketball and put smiles on their faces.
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