A Quote by Adam Driver

I don't know what else you could do that is more vulnerable - maybe dancing - than singing. — © Adam Driver
I don't know what else you could do that is more vulnerable - maybe dancing - than singing.
I was more of a dancing kid than a singing kid. I mean, I sang in school choirs and I sang in school musicals, but I was much more interested in dancing than singing.
I didn't know that I could do a talk show. I didn't know that we could bring variety to daytime. I didn't know that people wanted to see singing, and dancing and comedy in the morning.
I guess what everyone wants more than anything else is to be loved. And to know that you loved me for my singing is too much for me. Forgive me if I don't have all the words. Maybe I can sing it and you'll understand.
And maybe that was love. Being so vulnerable and allowing someone else in so far they could hurt you, but they also give you everything.
I'll always have acting. But then if I had to choose something else it'd probably be singing or dancing - if I had to. Or maybe, like, designer, like sketching designs.
I could have easily been too afraid to say 'yes' to Chicago, because it requires so much I haven't done before. If I am a flop at singing and dancing, maybe my love for it will carry me through.
Seen from the point of view of the composer, the most nonsensical practice is that of casting people in musicals who are unable to sing. No one would cast a dancing part with someone who cannot dance sufficiently to come up to professional standards. The same is true of acting. But when it comes to singing, more often than not it is amateur night. . . . Either musicals should be written for specified performers in the first place, or they should be cast with people who are adequate to its dancing, acting and singing demands.
So I believe in singing to such an extent that if I were asked to redesign the British educational system, I would start by insisting that group singing become a central part of the daily routine. I believe it builds character and, more than anything else, encourages a taste for co-operation with others. This seems to be about the most important thing a school could do for you.
I can never stand in one place on stage for more than a minute and am always singing, dancing and jumping.
Looking back, I'm really happy with the choices I've made in my career. I know for a fact I could be wealthier. Who knows, maybe I could be more successful, maybe not. I don't know. But just about every single thing I've ever done I've gone into with the right intentions, and that goes a long way.
Actually I'm more passionate about dancing than I am about singing.
I think - I really think my voice has gotten better in the last two or three years. I don't know why. I've been doing a lot of - a lot more lead singing, and everybody tells me that my voice was better than ever and I agree with them. Maybe I've learned to do more with it. I don't know what.
maybe there is more to a person than a body and a mind. maybe something else figures into the mix— not a soul, exactly, but a spirit that hints you might one day be greater, stronger than you are now. a promise; a potential.
Very honest, I hope. God, I don't know. I hope I'm fun, I hope I am a good time. Spontaneous, surprising, affectionate? I hope, kind. Dancing a lot of dancing. I insist upon dancing. Anywhere. Anytime. The more dancing, the better
What dancing has helped me with is blocking; it makes me comfortable with my body. You know how to hit your mark, you know how to embody a swagger. But sitting down and looking across the table at another actor and being able to go to battle on screen is nothing to do with singing or dancing.
Once I got a job singing and dancing, a reasonable person might think, "Maybe I should learn how to do this." But no, I never did.
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