A Quote by Adam Conover
I think the best comedy enlightens, informs, and changes the way people look at the world.
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For me, the costume is 50% of everything. It informs posture, it informs flexibility, it informs the way you walk, it informs what the character is capable of doing, at any time.
You get into comedy because you are insecure, and you communicate with the world through comedy to sort of alleviate the tension of those insecurities and to find a way to make people like you other than the way you look or how good you are at sports. I don't think that really goes away.
When I'm playing comedy, I never do 'jokes.' Sometimes I'll deliver a line in a way I think is more likely to get a laugh, but all the best comedy is played straight. What's funny is the way it hits the world around it or the way it hits the other characters.
I've tried to create a comedy that doesn't look like any other comedy. Maybe traditionally in TV there has been a kind of formula that says, 'Oh, comedy has to look this way; it has to look super bright.' But the way we shoot 'Insecure' is motivated by the mental state of each of our characters.
I think art is beautiful. It's decoration and adornment. But art is also a really important vessel for social change, and social change begins with thought. And so if you can find humor in something and take a moment to rethink it, you can take a step back and look at your values from a different angle. I think that's a really important way of carrying on with life. I think the best art for me is funny and the best comedy for me is art. Some of my favorite artists are comedians. Comedy is art, and art can be comedy, and the intersection is vital - at least for my own work.
You write in order to change the world, knowing perfectly well that you probably can't, but also knowing that literature is indispensable to the world... The world changes according to the way people see it, and if you alter, even by a millimeter, the way... people look at reality, then you can change it.
I don't mind wearing a corset; it informs your posture, changes the way you move, you can't slouch.
I don't mind wearing a corset, it informs your posture, changes the way you move, you can't slouch.
It's the way that I think about the world, and the way that I like to tell stories - I don't think you should get too heavy. There's enough out there, in the world, with violence. I think that comedy lightens the heaviness [of the world].
Feeling supported when you are doing comedy is the best way to make comedy - at least, that's how I think.
The hardest part of fame and success is adapting to the people around you that's changing. It changes the way people look at you from how they used to look at you. They listen to you on the radio, they look at you on TV and when people speak on you in a good light, you have a couple people who hold grudges.
The way I approach any role, whether it's comedy or drama, I like to look for the truth first. I think comedy for the sake of comedy wears dull pretty quickly. You have to ground the character in reality first and allow the audience to sympathize, emphasize and be more invested.
I admire my boss, Lorne Michaels. He never stops producing. I think, for him, comedy is a tool of compassion, a way of rallying people together and saying, 'Guys, isn't the world bonkers? Aren't we all just trying our best?' There's a tenderness in everything he does.
The fact of being an underdog changes people in ways that we often fail to appreciate. It opens doors and creates opportunities and enlightens and permits things that might otherwise have seemed unthinkable.
That's what I think works the best, and what I think makes the best comedy - something that's completely committed and more approached as an acting exercise, as opposed to being worried about whether to be funny or not. The comedy comes from the context.
The way I see it, Messi is the best player in history. He is the one who changes the course of games; he's the best. There is no comparison in my view; he's the world number one and by a margin.
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