A Quote by Adam Mansbach

The thing I love about being a novelist is that with each project, you invent a new world. You approach it with a different set of aesthetic and structural ideas, and you grapple with a different series of problems in figuring out how to tell the story. And yet there are certain concerns that stay constant.
Every project is different. Adapting 'Robopocalypse' would be totally different than adapting, say, 'Hunger Games.' Each project has its own life and its own identity. You get into trouble when you think there's one single way to approach everything. Each project, there's a different way to attack it.
I believe that a writer learns from every story he writes, and when you try different things, you learn different lessons. Working with other writers, as in Hollywood or in a shared world series, will also strengthen your skills, by exposing you to new ways of seeing the work, and different approaches to certain creative challenges.
Every stage of filmmaking's important while you're doing it, so I spend most of my time figuring out how to tell the story. I have all these stories and ideas, but it's how to tell the story.
The cool thing about doing films and being different characters is that it's new everyday and new every project. So, you're always learning something different and you get to do research.
There's always something else to work on and different solutions to these problems in the next thing. We each have a certain set of obsessions which we each cycle through.
It's only a story, you say. So it is, and the rest of life with it - creation story, love story, horror, crime, the strange story of you and I. The alphabet of my DNA shapes certain words, but the story is not told. I have to tell it myself. What is it that I have to tell myself again and again? That there is always a new beginning, a different end. I can change the story. I am the story. Begin.
There are filmmakers like me in different parts of the world that have a story they want to tell, and it's a story that comes out of a certain historical reality within their own life. Then you get committed all the way and however long it takes, stay very committed.
I suppose each project is a new thing, so there's all this excitement and nerves about this new thing. Every single thing is like a new thing, so it's never what I expect. I don't know what to expect for the next thing. There are always different people. It's interesting.
The only thing that's new is the internet! But the problems and issues that all the kids go through now, it's nothing different! It's funny how your kid can come home and tell you something and you can tell them almost how it's going to play out. It's crazy, I be like 'Wow, am I that old?' But you've seen it before, and it's the same thing.
I love when a director shows up with a lot of energy, and different ideas about how to change things and do it a different way. Once you get into series, sometimes you don't have that, so I certainly don't take that for granted when I get it.
There's no quit in our family. Our dad was the chief proponent of that. [On the set] we were constantly telling each other, Stay true to the story, we know that we love each other, keep communication open. We knew how unique this was-you're doing a movie that really could be put out there all over the world, and you're telling this personal story about your family.
The problems that you see startups tackling are dramatically different in different cities. Silicon Valley is unlikely to produce the same set of companies as New York or Cleveland because the region has a different set of strengths and defining institutions.
I believe in free love and that's just how I feel. It's just my experience of being with different kinds of men and being born without a preference for a certain type of person. For me, that is my story in finding love in lots of different people, and that's been the second biggest influence in my music.
Every action project you take, whether it be a movie or TV series, is always different and a lot of people don't really know how big a difference it is. It's a different style of fighting, a different tempo and all of that.
Well every moment, every project is different. I took a very slow approach to acting, trying to really work with people I could learn from. And I got something different out of each experience.
Each story has a different approach for me and I try to work with lighting that will tell you visually the story better than if it was shot in available light.
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