A Quote by Adam Ant

When I was on a major label I felt obliged to say yes to every interview, tour and whatever else. The label is always telling you, 'This ain't going to last,' so I worked myself half to death. I learnt from that and I like to pace myself now.
My ultimate goal was to make the music that I wanted to make, and give shows. I was never going to get a major label deal - I never wanted a major label deal - so I was really free to express myself.
That's the best thing about being with an indie label, it feels like a family. If it's a major label, they put so much pressure on every single.
I think anyone who's willing to be brutally honest with who they are and express themselves is always going to get the oddball label, the pyscho label, the twisted label. That's what happens.
A Name Is A Label, And As Soon As There Is A Label, The Ideas Disappear And Out Comes Label-Worship And Label-Bashing, And Instead Of Living By A Theme Of Ideas, People Begin Dying For Labels... And The Last Thing The World Needs Is Another Religion.
I had every major label in the world - I mean, any label that dealt with rap music wanted to sign me. I ended up going with Jive Records because I liked everything about 'em.
I just try not to label myself in any way. I just have an allergy to labels in general. I can tell you that I am surrounded by very strong women and that I really appreciate that, but I'd rather not label myself.
I'm really happy with Elektra, I don't have anything bad to say about them at all. I always knew a major label was the right place for me to be. I never really had an opportunity to go to an independent label anyway.
I've put projects out on my own label twice now and been very successful which shows you don't need a major label to back you in this day and age.
I just try to make the best music that I can. People are going to label it whatever they're going to label it.
I've been on a major label for 14 years. I've always wanted as many people as possible to hear my music, and it definitely made sense for the majority of my career to be on a major label, on a distribution level, to be in people's faces and be out there, and have access to major labels' incredible machine, even though they have not understood or haven't been invested in what I was doing.
It breaks my heart to see these young, really talented bands getting chewed up into the system. I remember a time if you'd signed to a major label it was such a sell out! But now... unless you've signed to a big label, you're a failure now.
We're so humbled and lucky to be in a position where we've been a four-piece for over 15 years. We're signed to a major label. We're on our fourth record on a major label. We've won a Grammy. We've toured the world.
We felt that the police needed a label, a label other than that fear image that they carried in the community. So we used the pig as the rather low-lifed animal in order to identify the police. And it worked.
People think that since we're on a major label, all of a sudden everyone's telling us what to do and it's really not like that at all. They're just saying you should tour because you can finally get out of debt and everyone's coming out to the shows we sold.
If I had to label myself now, I'd call myself a Taoist-Christian-agnostic quantum mechanic.
You would think that anyone on a major label would be doing something, but when you speak of major label that means something to maybe a big pop star that might be getting some sort of benefit from the major. But we still don't get anything.
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