A Quote by Adam Hochschild
A pioneer in this genre [ writing about the refugee crisis] : the book A Seventh Man, by the great John Berger, decades ago evoked the lives of migrant workers in Europe.
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[Pope Francis] continued to focus on migrants. He visited the Greek island of Lesbos, which was the front line of the European migrant crisis. And a month later, he accepted a prestigious European Union prize, but he scolded Europe for its treatment of migrants. And in a speech echoing Martin Luther King, he said I have a dream of a Europe where being a migrant is not a crime. So, yeah, he showed he can be quite outspoken on political issues.
The refugee crisis is a challenge for the whole of Europe, and Europe - it's a very fair point to say it's not just a security issue. It's also an economic issue.
We've been talking about the Syrian refugee crisis a lot, in the news in the U.K. and possibly the U.S., but it isn't the only refugee crisis that is happening at this minute. There's something like 22 million refugees in the world. There are people from Eritrea, Afghanistan, Syria, and so many other places where people are living in complete turmoil.
I think all of Europe has been too soft on the refugee crisis.
'The Odyssey' is a great poem to refugee-dom... Odysseus is not entirely a refugee... he's somebody who's blown off course. The entire book is an exploration of that theme... I reread it every year... That's not as surprising as it sounds, because it's a rip-roaring book.
In 2013 we had never faced a crisis like the Syrian refugee crisis now. Up until that point, a refugee meant someone fleeing oppression, fleeing Communism like it is in my community.
I think writers can respond by writing about the refugee crisis, by looking at problems faced by migrants, by trying hard to portray them as the human beings that they are.
In late 2011 there is an internal document called the Libya Tick Tock that was produced for Hillary Clinton, and it's the chronological description of how she was the central figure in the destruction of the Libyan state, which resulted in around 40,000 deaths within Libya; jihadists moved in, ISIS moved in, leading to the European refugee and migrant crisis.
I've written about illegal immigrants in the United States; I spent a year following migrant farm workers as they were harvesting. I've written about our criminal justice system, and how it treats the victims of crime. I've been working for years now on a book about prisons in America, and I've been going into prisons and traveling around the country and seeing what's going on.
One of my great heroes, John Berger, he's in his 80s now. One of the reasons that he's remained young and all-around fantastic is his ongoing receptivity to new things. I think that's important.
When I get about five readers I can rub together in one genre, I leave that genre and go somewhere else. And this is due to a vow that I made myself when I started writing - that if I had any success at all, I would not be bound to one form of writing. That I would write what moves me. The only way I can see me surviving and doing more than one book is to present the readers with a Dan Simmons novel, with whatever tropes and protocols from whatever genre I want to borrow them. If that builds a Dan Simmons readership, well then, okay. Otherwise, forget about it. I'd rather drive a truck.
I was fortunate to sell at a time of great sea change in the romance genre; suddenly heroines were allowed to be portrayed as having rich, fulfilling lives. They didn't need a man for security or self-esteem, but having that one very special man in their lives proved the icing on the cake.
Workers are on the streets today with a clear message to Europe's leaders. There is a great danger that workers are going to pay the price for the reckless speculation that took place in financial markets.
Monsanto doesn't care about feeding the world. We have to think about the wage slavery of migrant workers and salary slavery of those who are desperately unhappy.
We've been living under outdated immigration rules from decades ago. They're decades and decades old.
With the sole exception of President Bill Clinton, whose 'bridge to the 21st century' evoked the vision and optimism of other great Democratic presidents of the 20th century, such as FDR and John F. Kennedy, pessimism about America's economic future has been the hallmark of modern progressivism.
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