A Quote by Adam Schlesinger
I think with musicals, it's much more part of the script. They don't want songs that would stop the show; they need songs that keep the plot moving.
Related Quotes
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
I think my legacy is important because my songs - perhaps more than those of any other songwriter I know - cover every movement from 1965 on, socially and artistically. If you want songs about ecology, I've got ecology songs; if you want songs about spirituality, I've got spiritual songs.
If the songs were in lumps, then you would expect to understand what was going on in the plot. Which is not a realistic goal. And also the instrumentation is different for every show, so it's more varied sonically. And people are free to make up their own plots, of course. There are pretty dense and complicated plots, and they're simple songs.
When you're doing the traditional musicals, singing songs that are 40 and 50 years old, you realize there's a reason why those musicals are hits. These are amazing songs!
When you put a new show out, you always have a few kinks that you need to iron out, and you need to dial your show in. You figure out over a couple of weeks what songs work well together and what songs may not have the impact you thought they would at that spot in the show.
Everything has to be intrinsic plot-wise in the same way, to use the Linda Williams analogy but to move it on a bit, as musicals - in old musicals, like in an old Cole Porter musical, you get the action, then they do a song, which reflects a moment - everything stops while that is being sung - and then you restart. These days in most musicals, the plot keeps moving through the song. I think it would be nice if someone constructed some pornography where the sex continues to propel you through the story.
I sing songs from the theater and pop songs. When I say 'pop songs,' I mean from the 90's. And I tell jokes. So it's sort of a stand up show meets a concert - not your traditional lounging across a piano cabaret show. It's much looser.
It would get really alienating, to have my face be the face of a cause. So much just comes down to the songs. I just want to give us the opportunity to write great songs. Even our work in Haiti is limited by how good our songs are. We just need to get rid of as much of the bullshit as possible, so we can have a life, so we have something to write about.
In my off-time, I do record. Once in a while, I'll just go into the studio if there's a really good song that I have in my head and want to do. I think, as artists, you're constantly in creative motion. If I stopped writing songs, then that's a part of me that would stop in my life, and I need constant motion.
I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.
As a song writer when I first was aware of the Beatles and started, you couldn't avoid hearing it, not that I, I tried. And what, what struck me was not so much the songs or the part of the songs that, that seemed unique to me were, was more melodic at the beginning than, than the lyrics because they were still talking about, you know, I love you, I don't love you and I need you or don't need you.
I don't want to sing songs and write songs that need to have images behind them that are of a specific time. The times we live in today - I mean, there's a lot to work with. But I think that if I was my age in 1975 or 1985, I would have felt the same way because that's what I gravitate toward.
I'm not really much of a fan of Drake. I don't know why; I'm not really keen on it. His songs just make you think about your ex! I'm more about upbeat songs! His songs are more sad most of the time!
I don't want to change the way I write my songs, I like the way I write my songs, so I keep 'em the same. I'd like to write more country songs, but other than that, I'm pretty good where I am.
I don't want to sing songs that aren't worth while. Time is so rare. I just don't want to waste the listener's time and I think that my songs don't do that. That's what I pray for. I want songs that really touch people's hearts.
In my culture we had songs for everything, and that's lost now. There were songs for when people were born, when they died, when they sowed the field, baked bread and they're gone now mostly. I think we need these songs today. One of the reasons people connect to Wardruna in such a personal way is because there is a need for these songs and for that kind of connection to the nameless. Call it nature, god whatever.
Related Authors
Ani DiFranco Quotes
American
Musician
Bob Dylan Quotes
American
Musician
Brian Eno Quotes
British
Musician
Bruce Springsteen Quotes
American
Musician
David Bowie Quotes
English
Musician
Drake Quotes
Canadian
Musician
Elton John Quotes
English
Musician
George Harrison Quotes
British
Musician
Henry Rollins Quotes
American
Musician
John Lennon Quotes
English
Musician
Madonna Ciccone Quotes
American
Musician
Moby Quotes
American
Musician
Nicki Minaj Quotes
American
Musician
Patti Smith Quotes
American
Musician
Thom Yorke Quotes
English
Musician
Tori Amos Quotes
American
Musician