A Quote by Adam Schlesinger
Andy Chase and I were keyboard players originally, and we became guitarists later. But it's fun for us to focus more on the keyboard stuff sometimes.
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The keyboard is my whole life. My life is centered around either sitting at my keyboard or driving my car. Those are the two most important things, more than anything else. Being at my keyboard, it's the happiest time for me.
Even though there are some great keyboard players on the album, there are a number of songs with no keyboard on them and the backing is all guitar oriented. This is first time I've ever done this actually.
I've always been into guitars. We want to put keyboards on, but keyboard players don't look cool onstage, they just keep their heads down. There has never been a cool keyboard player, apart from Elton John.
I've always been into guitars... we want to put keyboards on, but keyboard players don't look cool onstage, they just keep their heads down. There has never been a cool keyboard player, apart from Elton John.
At the beginning of this album I discovered the computer and had great fun playing with the thing. And I realized that, not being a good keyboard player, I could write things in very small sections, give them a certain feel and mess about with bends on the keyboard.
I was a guitar player in a band that had two keyboard players, sometimes two other guitarists, a bass player, and a drummer, four or five singers, and percussion. We did a two-and-a-half hour show where the music spanned from the early Sixties to the present. Whereas the David Lee Roth thing was like, Now. Very big and intense.
I either write songs on guitar, or... I don't ever have a keyboard with me, but like, my keyboard on the laptop.
I'm basically a keyboard player, so if it's got a keyboard on it, I'll give it a shot. I played a lot of organ in the early days. I can make a few chords on guitar, but that's about it.
There's a clip where he had someone miming me running around from keyboard to keyboard. Oh dear, I am sure a lot of people didn't know what he was going on about.
I wasn't very good at studies but was into a lot of extra-curricular activities. I used to play the keyboard and bass guitar in my school band and went on to study keyboard from Trinity College, London.
Some sounds are coming from the keyboard and they are very important in the writing process, but on the other hand, we have melody and we have the song before, so if the keyboard sound fits very well, it takes its artistic direction. We play the machines and the machines play us.
You are talking to a man who can only play a plastic keyboard. Give me anything weighted and I've had it. I haven't got the strength in my fingers to push them down. So I don't get a lot of expression on the keyboard.
My sister and I - she's a musician - we jam all the time. We always play around for giggles with stuff that seem unconventional or stuff that seems funny. A lot of the stuff sometimes is just a response from jam sessions in her room, so she'll be on the guitar or the keyboard, and we'll just start singing and doing stuff.
I love jazz. I still do. Dave Brubeck and Stan Getz are so good. I took a notification course in Jazz Orchestration. It wasn't a grandiose as you'd think but I did have to to go to Los Angeles to do it and get an understanding of the keyboard because the keyboard became my tool and I used it a lot in transposing and composing. All the flats and time values. I spent a year doing that because in those days you had to be able to write your own music and read sheets.
I can play songs that I hear from a movie and just play it a few times on the keyboard. I will hit all the notes on the keyboard until I find the right key, and then I will play the rest of the song.
The program I use is called MED Soundstudio. It's basically a column of numbers that relate to pitch, duration, the type of sound. If I want to play a chord, I have to press keys on a keyboard - like a computer keyboard, on my Amiga - that relate to sharps and flats, note by note.
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