A Quote by Adam Young

When you listen to someone sing from inside their head, their same mix, and you listen to their voice as loud as they like it, or the track of the band as low as they like it, you can really hear all of the nuances and the mistakes if there are any.
If you listen to the left track on their album, if you get The Best of the Mamas and Papas, you listen to the left track, you can still hear a little bit of my voice. My son discovered that once.
But what I would like to say is that the spiritual life is a life in which you gradually learn to listen to a voice that says something else, that says, "You are the beloved and on you my favour rests."... I want you to hear that voice. It is not a very loud voice because it is an intimate voice. It comes from a very deep place. It is soft and gentle. I want you to gradually hear that voice. We both have to hear that voice and to claim for ourselves that that voice speaks the truth, our truth. It tells us who we are.
Like when I'm singing live I can't hear myself. I'm just listening to the rest of the band. To listen to my voice, it doesn't even feel like it's me.
I'm sorry, was that homophobic? No--I think it was, 'cause I hear that a lot. Dave, What?, You're talking about being gay. You probably secretly are gay. And I'm like listen voice in my head, I'm not! HOW DO YOU KNOW YOU WOULDN'T LIKE IT? HOW DO YOU KNOW YOU WOULDN'T LIKE IT? I know I wouldn't like it, other scarier voice in my head! 'Cause one time while making a sandwich, a cucumber went up my ass. Three times.
As I look back I know that most of the mistakes I have made have come when I didn't listen to myself, when I didn't trust my instincts... I believe you need to listen, carefully, to hear your inner voice. And then, you have to do what it says.
Anyone can sing badly, but to sing badly on purpose and make it believable is harder. I listen for the actual melody in my head but sing right underneath or above it out loud. It takes a lot of concentration.
I would like to sing someone to sleep, to sit beside someone and be there. I would like to rock you and sing softly and go with you to and from sleep. I would like to be the one in the house who knew: The night was cold. And I would like to listen in and listen out into you, into the world, into the woods. The clocks shout to one another striking, and one sees to the bottom of time. And down below one last, strange man walks by and rouses a strange dog. And after that comes silence. I have laid my eyes upon you wide; and they hold you gently and let you go when something stirs in the dark.
All music done, as I said, through low res mp3 and $5 earbuds and so I think as a producer or a band you want your music to sound good in that medium. Sometimes when I'm doing a mix I'll listen to it on my laptop, on the crappy speakers on my laptop. It lets me know what the tracks gonna sound like if someone else listens to it that way.
I like to listen to African music; I like to listen to Brazilian music that's not just Choro. I love to listen to Radiohead, I like to listen to James Brown - any music.
I often haven't heard the music since I've recorded it. I don't listen to it. When I do hear it, like at someone's house, I'll listen. I'm probably the most pleased with the stuff I did with New Grass Revival.
I don't know what happened. I just exploded. I'd never sung like that before. I used to stand still and sing simple, but you can't sing like that in front of a rock band. You have to sing loud and move wild with all that in back of you. Now, I don't know how to perform any other way.
When I go on and listen to the stuff on the websites, I can't tell, it all sounds like the same band, like they should all be in one band together.
I can't listen to my own voice, I don't like it. You see all your mistakes when you hear your voice. You see all your imperfections.
Years ago I sang on a track using that voice and someone asked, 'Who is that terribly depressed man?' But Patrick loved it. He said, 'You sound like a young boy, like a child, like an old woman, like an old man,' and really, we all have all of those things inside of us. I don't do any vocal gymnastics to make the voice better as I age. If it comes out rougher, then it's true to what's happening. Singing is who I am. I didn't train for it, any more than I trained for anything else I did. I probably should take better care of myself physically, but it goes against the grain.
When I listen to a record, or when I'm making a record, I listen to everything. I listen to the drums, the bass, the voice, the arrangement. I listen to the whole piece as an ensemble. I don't only listen to the guitar player.
I don't listen to much rap, really. I can rarely listen to a whole record of it, because musically, it's very formulaic, and oftentimes it doesn't have the best hooks on every track. I like my music to be very musical.
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