A Quote by Adewale Akinnuoye-Agbaje
The axe is fifteen pounds. You have to make sure you don't hurt or hit someone. And hit the beats, because they have five cameras. It has to look real. That in itself becomes challenging because you have to learn it straight away.
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That's what stock-car racing is. You hit someone, or you get hit. That's something I had to learn. It's a key factor in why I'm so aggressive. I don't want to have to hit you. But if you're going to hit me, I'm going to hit you.
In golf, no one learns to hit a draw, a fade, or a cut shot until they've been taught how to hit the ball straight. Similarly, novice poker players need to learn how to 'hit it straight' before taking on more difficult concepts.
You always measure success by what you did last. It's hard to measure that because it's something that just comes. If someone can just make a hit, they would do it everyday. But you can't make a hit that you know is a hit every day.
The league has to be sensitive about what crosses the line and what doesn't. It's tough to determine what is a legal hit and what isn't a legal hit, and if someone was deliberately trying to hurt someone or not. A certain integrity, though, has to be maintained.
The key is just to ignore the pain, because physical comedy only works if you see someone get hurt and they aren't actually hurt. If someone gets hit in the face with a bat, falls down, and gets back up, it's funny. If they stay down and their jaw is wired shut in the next scene, it's really tragic and weird. You have to pretend it doesn't hurt.
If the shot is going to be epic, if it's going to be awesome, and to make it epic and awesome you have to hit the ground and possibly hurt yourself, I choose to hit the ground and possibly hurt myself. Because in my silly stunt man mind, an epic shot that lives forever on film, I'll get over it in a couple of months!
I don't ever have the pressure of making a hit, because I've never had a hit song, per se. The closest thing to a hit song was 'Shiraz,' and it's not your prototypical hit song, with a catchy hook and all this other stuff.
This whole game of hit and flops will always be there and I have survived because I am hit. I think industry works on hit and flop.
I think Augusta will be a really good course for me because I hit the ball very high, and I'll be able to hit some shorter irons into those firm and fast greens, so having maximum spin won't hurt.
Look, when a song becomes a hit, it happens because of its tune and melody, and not for the lyrics in the first place.
There is always pressure. If you make a flop film then you are under pressure to make a hit film. If you make a hit film then you are under pressure to surpass your own standard or at least deliver another hit because the audience also has expectations.
The first hit on the nervous system is the one I'm most interested in, because I think if you hit the reader emotionally, the reader can't guarantee the lessons they would like to learn.
What is a hit? Who can tell? Who decides what a hit sounds like? I needed to remind myself that a hit is whatever people decide is a hit. I don't make hits; I make music. People make hits.
If you're in a hit movie, it's good to be in another hit movie straight away.
As a woman, I have access to hit women in a way that men might not be able to hit them with jokes. I don't mean physically hit. But you know, because I'm a woman, I can say things about women because I know what it's like to be a woman, if that makes any sense.
Johnny Valentine's the one who said, 'I can't make them believe that wrestling is real, but I can make them believe I'm real.' It would take him forever because he was just stinkingly boring for 30 minutes of the 40-minute match, but he would let people hit him as hard as they could, and he would hit people as hard as he could.
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