A Quote by Adele

I don't want to be on the cover of Playboy or Vogue. — © Adele
I don't want to be on the cover of Playboy or Vogue.

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Patrick Demarchelier was the one who got me my first Vogue cover. It was French Vogue - I think in ’87 or ’88. I think I was the first black model to be on the cover of French Vogue, which was shocking to me because when I asked them about it, they were like, "Oh, no. We’ve never had that before."
Patrick Demarchelier was the one who got me my first 'Vogue' cover. It was French 'Vogue' - I think in '87 or '88. I think I was the first black model to be on the cover of French Vogue, which was shocking to me because when I asked them about it, they were like, 'Oh, no. We've never had that before.'
It was a scandal when I did French 'Playboy' in 2008, though I was never actually nude in it. I think it's really funny that I'll have a cover of 'Playboy' to show my grandkids.
Yes, I was on the cover of 'Vogue,' but girls on the cover of 'Vogue' are the most scared of rejection. Models are the most insecure of them all. Actually, actors and actresses are, and then musicians, and then models!
One of my favorite poses was when working with Steven Meisel. It was one of my first photo shoots with him, and we were trying to get the cover of Italian 'Vogue.' Then, I literally took my Balenciaga hat, pulled it down, and gave a rolling-eye, 'ugh' face, crossed legs on the floor. And lo and behold, that was the cover of Italian 'Vogue.'
I did Playboy. There was an ad in the paper for playmates. Playboy called me and flew me to Los Angeles, and I was on the March cover of 1992.
Within two months I made the grand slam: covers of 'American Vogue', 'Italian Vogue', 'British Vogue', and 'French Vogue'.
I'm always looking for a cover subject that reflects the magazine, an interest in fashion, in culture, in society. We're trying to bring the world into the pages of 'Vogue.' We do that by tapping into the zeitgeists with our cover subjects.
With all the new media outlets out there, with all the noise, a voice of authority and calm like Vogue becomes more important than ever. The more eyes on fashion, the more opinions about fashion, the more exploration of fashion around the world, the better it is for Vogue. Vogue is like Nike or Coca-Cola—this huge global brand. I want to enhance it, I want to protect it, and I want it to be part of the conversation.
I have the whole costume from Playboy's sixtieth-anniversary cover shoot.
Everybody would like to be on the cover of 'Vogue.'
My 'Playboy' cover shoot experience was nothing short of a paid luxury vacation.
I would like just one time to be on the cover of Italian Vogue.
I was successful very quickly. I was on the cover of 'Vogue' before I knew it.
I think having an American 'Vogue' cover would be incredible.
I like having young assistants in my office; they have energy, and I spend time with them to make sure they understand what we're doing. By investing in them, I'm investing in the magazine. All over 'Vogue,' 'Teen Vogue,' and 'Men's Vogue,' there are people who have been through not only my office but also many other offices at 'Vogue.'
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