A Quote by Adnan Sami

My songs are my girlfriends. I have a secret romance with all of them. I romance with them year after year. — © Adnan Sami
My songs are my girlfriends. I have a secret romance with all of them. I romance with them year after year.
Romance takes place in the middle distance. Romance is looking in at yourself through a window clouded with dew. Romance means leaving things out: where life grunts and shuffles, romance only sighs.
I did a research assignment on life in the Middle Ages only last year. I found the era fascinating, all that chivalry and court romance. But I never pictured anything as poor as this village. This is the pits. There's no romance here, definitely no chivary. And it stinks--of sweat and smoke and sewage.
My novels are in the literature section as opposed to the romance section of bookstores because they're not romance novels. If I tried to have them published as romances, they'd be rejected. I write dramatic fiction; a further sub-genre would classify them as love stories.
I think it's weird that we expect ups and downs in friendships, but not in relationships. It all has to be romance, romance, romance - but there's two people and there are always going to be disagreements, and you have to work at it.
I don't really get the same kinda romance that I would get from, like, jazz. And even to a lesser extent to rock 'n roll. Rock 'n roll has a romance to it - how can I put it? A very vulgar romance, but still a romance; whereas hip hop has more facade.
Everyone thinks romance is weak. Yet romance is everyone's secret dream-it's why we're alive.
Love is not blind. Romance is. Romance is the most dangerous thing. Romance is like an illusion. It shows you things, and you hear things that don't exist.
I think the thing that has made it possible for me to write personal songs and sing them year after year is the sensibility for good writing. Just opening your veins all over the paper is not necessarily going to be interesting. I wanted to speak to people.
There's a horrible stereotype of both the romance writer and the romance reader as somehow undereducated and unprofessional, when in fact there are a number of incredibly well-educated professional women who have chosen to leave their other careers and go into writing romance.
Romance is a bird that will not sing in every bush, and love-affairs, however devoted the sentiments that inspire them, are often so business-like in the prudence with which they are conducted, that romance is reduced to a mere croaking or a disgusted silence.
In 1976, I read a book by Kathleen E. Woodiwiss and knew immediately that I, too, could write a historical romance. It took me a year to complete the manuscript. I was a forty-year-old Scarborough housewife who knew no one in publishing.
One of the most common criticisms of romance is that the genre is too prescribed: If every romance novel ends happily ever after, don't the stories lack complexity? Don't the readers get bored?
As for the (Ballon d'Or) criteria, I'm not really sure how it works. Sometimes it's a World Cup year, sometimes it isn't. Let them vote. For me, there is no doubt as to who is the best, year after year.
Many luckless people imagine that romance is dead: some, overcivilised, fondly suppose that there never was romance: a poet tells us that romance is unrecognised though really present: but scientists can meet him daily, walking at large and undisguised in the world.
I can't seem to help writing love stories. I definitely crave romance. When I was young, I craved romance in books, but I didn't want to read just romance - love plays such a big part in our lives, it shouldn't be cut out and restricted to its own fiction.
Year after year, President Bush has broken his campaign promises on college aid. And year after year, the Republican leadership in Congress has let him do it.
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