A Quote by Adrian McKinty
I think if you grow up in a culture where the army is out on the street sighting you with rifles, it has to have some kind of psychological impact.
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Beyond fashion, I think that culture has a side where they love to shoot you up like a clay pigeon and then take out their rifles. I lived that, and I got to see the perspective from up in the sky.
In our culture the way women have been represented in American film had a pretty big impact on my self-esteem and I'm sure it did on a lot of other girls. I think they have a greater psychological impact that anybody's willing to talk about.
As far as geek culture, I didn't grow up in the comic con geek culture lane, then I started doing Comic Cons seeing the impact of it. The character, Rufio living on.
Weakness is worse than cancer, I think. It's a kind of psychological or spiritual cancer. And if you have a goal in your life, you'll get psychological immunity. Psychological immunity is a kind of optimism, just like spring.
I think a draft produces a better Army than the one we would have with all volunteers, because I think you get average Americans if you have a draft. And if it's an all-volunteer Army, you get people who join up because of some problem in their own lives. They don't have anything else to do, they don't have a job, or they can't find what they want to do, so they join the Army. And it doesn't produce the best Army.
Another factor is the education and culture in which you grow up. I didn't grow up in the culture of victory, where you are expected to be or have to be, the best. It was not at all like that in my family. Tennis was really a hobby. If it led to something, great. If not, there were other things in life. I think that was something I was missing at some points in my career, because when I see Hingis or the Williamses, you see how they were educated for this: to win, to be the best, a bit the American mentality. Number one. Number one. Number one. I didn't have this.
I don't know what kind of egomaniac is sitting at home thinking about the impact they have had on the culture. It's not something I actually think about until it comes up.
Certainly the automatic Kalashnikov's ease of use and durability make it desirable for all sorts of people up to no good. But rifles are rifles - there are many other choices out there. You see the Kalashnikov almost everywhere there is fighting because there are so many of them.
So here's a question from one who believed, only a week ago, that Baghdad might just collapse and that we might wake up one morning to find the Baathist militia and the Iraqi army gone and the Americans walking down Saadun Street with their rifles over their shoulders. If the Iraqis can still hold out against such overwhelming force in Umm Qasr for four days, if they can keep fighting in Basra and Nasiriyah – the latter a city that briefly rose in revolt against Saddam's regime in 1991 – why should Saddam's forces not keep fighting in Baghdad?
Falling in love and having a relationship are two different things but yeah I can imagine that you can kind of - I think it depends on one's psychological state. I think there are some people who are on the internet and can fall in love and seem to be in a certain psychological state and other people who are - who couldn't quite do that.
I don't think there is a 'gay lifestyle.' I think that's superficial crap, all that talk about gay culture. A couple of restaurants on Castro Street and a couple of magazines do not constitute culture. Michelangelo is culture. Virginia Woolf is culture. So let's don't confuse our terms. Wearing earrings is not culture.
I'd be so fascinated to talk to a psychologist or sociologist about the deep psychological impact of seeing oneself represented. I don't think we've really touched the surface of what it does to the psyche of a people if the only image of you out there is negative. Or if it's never out there.
I think the same way about theatre, you go out there and you are creating a world for a moment that can actually have a real impact on people, present some kind of story that gives you something to think about when you walk away, feeling enriched - if it works out well.
I'm a British psychological illusionist, which is a term I made up, but I do these kind of mind-reading and psychological experiments. There's nothing magical about it at all.
Hip hop - it's an art form but it's a culture as well. You grow up in the culture and you never leave it. It's a style of dress; it's a way of thought. I always grew up in the culture, and it was part of who I was and I carried it into every world I was in.
Maybe it's naïve, but I would love to believe that once you grow to love some aspect of a culture-its music, for instance -you can never again think of the people of that culture as less than yourself. I would like to believe that if I am deeply moved by a song originating from some place other than my own homeland, then I have in some way shared an experience with the people of that culture. I have been pleasantly contaminated. I can identify in some small way with it and its people.
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