A Quote by Adrian Tomine
And also, as a consumer now, it's weird that when I used to go to a book signing I would leave with a stack of pamphlets people had made to show off their work, and now I just leave with business cards where people have the URL to their websites.
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I never go home and take out those business cards and go to those websites. But if there was a mini-comic here in my hand, I'd read it while I ate my lunch. I'm also probably one of the few remaining holdouts who hasn't consented to making the e-book versions of all my work, which is annoying to some of my publishers.
With 'Sons of Anarchy,' I had to leave a couple of times - I got another show, and I had a baby - so they sent me off to rehab. If I hadn't left, they probably would've killed me off by now.
Back in the early '70s, when Susie and I were first married, we had a little house that we rented, and we used to have parties. People would come, and they wouldn't leave. I used to get so tired. I'd put on the Stanley Brothers, 'Songs for the Good People,' and the house would clear in five minutes. It was not liked; it was alien. It was weird.
Leave everything. Leave Dada. Leave your wife. Leave your mistress. Leave your hopes and fears. Leave your children in the woods. Leave the substance for the shadow. Leave your easy life, leave what you are given for the future. Set off on the roads.
Television used to be made much more in a vacuum; the only feedback the audience had for a long time was in a Nielsen number that would arrive sometime after the show had been broadcast. And now, people are just completely engaged on so many levels, and I think that you have to find a way as a show creator to follow your own compass.
Media is so weird; everything is so accessible now. It used to be this thing where, if you did something on 'This American Life,' this predates me, but when David Sedaris did it, for example, it would just play, people who heard it heard it, and then the book would come out a year later, and people would be like, 'Ahh, I kind of remember that.'
I feel like people used to leave their homes and go to their local theatre, and they used to watch ballet dancers and musical theatre performers and tap dancers and orchestras and dog acts. You had to leave your home, be in the presence of other people, know how to behave, and enjoy the human being whose beating heart was in front of you.
When I was young, I really wanted to be a part of the end-of-year awards shows, but now that I'm actually there, it feels weird. I used to go to church and ended the year with a prayer, but now I spend it with people I'm not very familiar with at an award show, and I wonder if it's something I should be doing.
When I opened Chanel in London, they were happy. People would go, 'Oh, I just came in to see it. It's so beautiful.' And you leave with a positive attitude toward the brand. Now, you don't really get that online. You don't go, like, 'Wow.'
No more busy work. No more hiding from success. Leave time, leave space, to grow. Now. Now! Not tomorrow!
I've been doing this 17 years but I can tell you I have more websites now than I have ever had devoted to me or my past career or my character. When I got this show, I think I had two fans out there that had created websites on my behalf.
There are not that many people who can say they have been on a show long enough to leave it. Usually, you don't have a choice. The show gets canceled. There are very few people who live in the rare air of being able to leave a show while it is still in production.
Marriage is work. Get it out of your thick skull that marriage is, 'Oh, we got married and now we just live forever wonderfully.' It's work. It's just like starting a business: You're going to bicker with your business partner, but you don't leave the business partner. You work it out.
I think that one of the things that my dad was grappling with towards the end was how that shift had happened now and he would go on a book tour and do his shows and it would be you know fulfilling and good, but he wouldn't have the same impact that he used to and it wasn't because people were less interested. It's just because people are distracted by the million different sources of entertainment and information in front of them at any given time.
I just want people to leave a show and go, 'That was the most rockin' show I've ever seen.' I hope people can just roll with me a little bit - you know?
I want to satisfy the listener, exactly. I want to entertain the audience. I want the people to leave the show with the feeling I used to leave shows with when I was young, and I couldn't get over it for another three or four days after it. I just kept reliving the set in my mind.
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