A Quote by Adrian Younge
I grew up, and I'm getting the chance to make music with the people I idolized.
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We grew up listening to music like that: we grew up on the snap music, grew up off the trap music, grew up on all the South sound.
I'm singing the way that I love to sing, which is like old soul, like old Al Green. I grew up about an hour from Memphis. So all that music that I grew up with - the Stax music and early rhythm n' blues - I'm doing that. I'm actually getting out from behind my guitar and I'm singing.
I think about where I grew up and how I grew up: my dad was making $25,000 a year. Taking a chance wasn't really taking a chance. It was like you were going for something better. To me, there wasn't that much risk involved.
I grew up on the beach and I grew up surfing and I grew up swimming in this very genuine beach town back in Australia, and it's just something I really want to reflect in my lifestyle and in the way I am, the way I represent myself, the way I dress and the music that I make.
There weren't any sports figures that I idolized because I didn't really believe in myself back then or think that I could make it here. There were some regular people in my neighborhood that I looked up to growing up but that was it.
I think people assume that whatever kind of music you make is the music you listen to. Don't get me wrong, I listen to tons of pop music and all the music that really inspires Best Coast is very straightforward '50s and '60s pop music, but I've been listening to R&B and rap since I was a kid. I grew up in L.A. It's part of the culture. I listen to anything.
Maybe I'm genetically more inclined to music - but the music I make is so far removed from Indian classical music. I grew up in Texas!
I grew up with the Blind Boys' music. My family owns a music store in Claremont, California, called The Claremont Folk Music Center. I grew up with a heavy diet of gospel, folk, and blues because those are kind of the cornerstones of traditional American music.
I grew up in a situation of extreme abuse, but there was no chance to talk about it, so music became the escape if you like.
Nineties music was what I grew up with, and I want to make music that's soulful but that you can also dance and drive to.
I wanted to make music for my people that I grew up with in my neighborhood. That's kind of the long and the short of that whole 'Diary' album.
Street skating, which is what I grew up with, is completely free of rules. You can do anything. When I see a skater go by, I think, What is this person going to do here? It's the same with people who write, who make music, who draw, who make movies. Creative people tend to have all of those different avenues in them.
I really think that people are getting fed up with the computer generated music. I think it had a little time where it was new and it kind of worked, but it's so overdone that people are getting sick of it, and are turning back to real music.
I grew up in New York. We were all diversified, as far as music was concerned. I grew up liking just about everything. So I tried to incorporate that into my playing, although the original school where I came from was Afro-Cuban music. But I liked all kinds of music -- I tried to bring that into everything.
My dad is a huge folk music fan, so growing up, there were always records playing in my house. Carole King, James Taylor, Simon and Garfunkel, the Beatles - I grew up with this music, and I was aware of how special this music was to a lot of people.
I grew up listening to a lot of player-piano music in my house and a lot of old Tin Pan Alley songs and American standards. My dad listened to a lot of traditional Irish music and I grew up doing musical theater. So most of the music I was exposed to as a kid was pre-rock n' roll.
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