A Quote by Adrian Young
Basically, as a kid I grew up to a lot of good music, and part of my appreciation for music, from being a small child, was appreciating Jamaican music.
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I would find myself being inspired by things that I've heard as a kid: Nigerian music or African music, some French music or some Jamaican music. When it's time for music to be made, it's almost like my ancestors just come into me and then it's them.
I grew up listening to a lot of player-piano music in my house and a lot of old Tin Pan Alley songs and American standards. My dad listened to a lot of traditional Irish music and I grew up doing musical theater. So most of the music I was exposed to as a kid was pre-rock n' roll.
I think people assume that whatever kind of music you make is the music you listen to. Don't get me wrong, I listen to tons of pop music and all the music that really inspires Best Coast is very straightforward '50s and '60s pop music, but I've been listening to R&B and rap since I was a kid. I grew up in L.A. It's part of the culture. I listen to anything.
I grew up listening to a lot of emo music, a lot of rock music, a lot of rap music, a lot of trap music, funk, everything.
Music and dance is part of everything in New Orleans. So I grew up appreciating it all.
Music is my life. Music runs through my veins. Music inspires me. Music is a part of me. Music is all around us. Music soothes me. Music gives me hope when I lose faith. Music comforts me. Music is my refuge.
We grew up listening to music like that: we grew up on the snap music, grew up off the trap music, grew up on all the South sound.
I grew up with the Blind Boys' music. My family owns a music store in Claremont, California, called The Claremont Folk Music Center. I grew up with a heavy diet of gospel, folk, and blues because those are kind of the cornerstones of traditional American music.
My dad is a huge folk music fan, so growing up, there were always records playing in my house. Carole King, James Taylor, Simon and Garfunkel, the Beatles - I grew up with this music, and I was aware of how special this music was to a lot of people.
We grown-up people think that we appreciate music, but if we realized the sense that an infant has brought with it of appreciating sound and rhythm, we would never boast of knowing music. The infant is music itself.
I grew up around religious and elevator music. I didn't know any better, so I just thought music was kind of bland. So I didn't listen to much as kid.
For me, a lot of my fondest memories of being in the music business were being in the studio with The Doobs and being part of that organization and being a part of that music.
....the popular music of Jamaica, the music of the people, is an essentially experiential music, not merely in the sense that the people experience the music, but also in the sense that the music is true to the historical experience, that the music reflects the historical experience. It is the spiritual expression of the historical experience of the Afro-Jamaican.
I was really only around country music on the radio, and I think because I grew up so close to Atlanta, and R&B was such a big part of that culture, by proximity I think a lot of that music influenced me without knowing it.
I grew up in a very music-loving home with a lot of records, a lot of TV, a lot of radio, a lot of video - VHS cinema, basically.
I'm very much inspired by the Latin music, especially the romantic boleros. Not that when I sit to write a play I listen to boleros. But I think it's part of my DNA, it's part of my upbringing. I grew up in a house where this is the kind of music my parents used to listen to. This is the kind of music I would even hear in my neighborhood. I think that sort of romanticism is part of the culture.
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