A Quote by Aisha Tyler

I love it when I come across a word I don't know. And I would never treat my audience like they weren't smart enough to come along with me. — © Aisha Tyler
I love it when I come across a word I don't know. And I would never treat my audience like they weren't smart enough to come along with me.
I was specifically referring to the regular everyday people that you come across on your come up. You never know if that intern that you disrespected might end up being the CEO of the company one day, you honestly never know who's who. It's easy to treat the stars and the executives with respect but how do you treat the security guards or the waiter that serves your food? You may have to cross that bridge later.
This was love, I supposed, and eventually I would come to know it. Someday it would choose me and I would come to know its spell, for long stretches and short, two times, maybe three, and then quite probably it would choose me never again.
One of the best compliments I ever got was "You know what I like about you? You're smart enough to be scared. So many guys come on cocky, they don't want to go over their stuff, they don't want to do a pre-interview. You're always smart enough to be worried till the last minute."
I wish I could calculate my way to a bigger audience, but I don't think I'm smart enough. Actually, I don't think anyone is smart enough. Most calculations along those lines fail.
I come from a very small, poor town just outside of the Chicago area and I know what it's like to dream and accomplish some of your goals, but I would never want to do a show where I am preaching to anyone because I do not like being preached at. I want to learn right along with my audience and every show will be a collaborative effort. I am so thankful to Debra Lee and everyone at the BET Network for providing me with this unique opportunity and platform.
I still have a pretty lively audience in German and across Europe. And I continue to say, 'Thank you, God,' for making me smart enough to avoid getting hit by trucks and going out and finding myself an audience abroad. Which includes Asia - from Jakarta to Japan. Working hard at finding an audience abroad.
It's interesting to see what people who you find talented come up with, so you work with them. Sometimes ideas come along quicker cause they'll come up with something and you'll be like, "It would have taken me forever to get to that point!" Because you're talking together, your brains are moving faster.
The nameless loser in Jay McInerney's 'Bright Lights, Big City' is going to the dogs like a gentleman. He is too smart to blame anyone for the impasse he has come to, hip enough to know he does not know enough, too sophisticated to masquerade as an anti-hero.
My parents support and trust me a lot. They know I would never do anything that will be wrong for me and even if it is, they know I would be smart enough to own up and take a stand for myself, be responsible with what I'm doing.
At times, I come across as crude or crass, that irritates you when I come across like a Neanderthal or a babbling idiot at times. But I like to be that person. I like to show you all that person because that's who you come to see.
If the word police want to come and get me, they can come and get me. If someone wants to blog about me, fine. The bloggers can come and get me. I clearly say the n-word in public, eight times. I think that's the count.
I was woundering what he would say, what word could sum me up right then, when i saw the lights come across his face, blaringly yellow, and suddenly he was brighter, and brighter, and i asked him what was happening, what was wrong. I remember only that light, so strong it spilled across my shoulders, and lit up his face, and how scared he looked as something big and loud hit my door, sending glass shattering across me, little sparks catching the light like diamonds, as they fell, with me, into the dark.
When I embarked on creating 'Shrimp' a couple of years ago, I never could've imagined where this journey would take me or the wonderful people I'd come to know along the way.
When people come to my shows they know there is a distinct beginning and end. It's difficult for me to play for much more than an hour, so people kind of come out and treat it like a rock show. They're fiending and ready to dance.
I often went entire days without speaking - unable to get a word in over my inner taskmaster, who never shut up: “You fat, disgusting slob, you'll never be thin enough, good enough, smart enough, tough or talented enough.
I don't do anything that would ever come across as advice or suggestion, but it's just part of a debate. Like, "I would like to try this," or "Let me do another one with more stillness, let me emphasize that." Rather than "I think you should emphasize this, I think" - you know, I don't impose choices.
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