A Quote by Ayrton Senna
Money is a strange business. People who haven't got it aim it strongly. People who have are full of troubles.
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The first thing I heard when I got in the business - not from my mentor - was, 'Bulls make money, bears make money, and pigs get slaughtered.' I'm here to tell you I was a pig. And I strongly believe the only way to make long-term returns in our business that are superior is by being a pig.
A lot of people want to start a business, and they're like, 'I wanna start a business, give me some money to invest.' Where is your business plan? Are you investing money yourself into your own business? How is this going to work? People think that they can just come to you with an idea and have money.
I knew Richard E. Grant, and I went to him and said "Would you like to [play Kafka in the film]?" and he said yeah, and then suddenly I had all these people who were happy to come along. We got a little bit of money from Scottish Screen to pay for it. I got so many favors because I knew people in the business. I was in a remarkably good position. I got so many favors from people. I got the Monty Python technical people.
Doing a concert, I look at a room full of different people, and I see you've got Muslims, you've got Jews, you've got Christians, you've got gays, you've got straights, you've got blacks, you've got whites. I think, 'How can I unite these people through song?'
People are disposed to mistake predicting troubles for causing troubles and even for desiring troubles.
I always tell new people in show business. I say, "Look, show business pays you a lot of money, because eventually you're gonna get screwed. And when you get screwed, you will have this pile of money off to the side already." And they go, "OK, OK. OK, you ready? You ready?" "I got screwed." "You got the pile of money?" "Yeah, I'm fine." I mean, that's the way it works.
I always try and watch how business people think. I like to read a lot about business people. I'm not going to say I've got a great business mind, but I enjoy learning from the world of business.
There's things that I can do as an actor that I couldn't do in any other form of life and I've got a strange personality. But film requires strange people, so I've got a nice comfy home.
There is a terrible thing that's been happening probably for the last 20 years or so and it's called the music business. And music isn't really business; it's work and you got to pay and you've got to buy your guitar or go into the studio. So there is a business side but when people say, "I'm going into the music business," it's not. It's about expression. It's about creativity. You don't join music, in my mind, to make money. You join it because it's in you; it's in your blood stream.
She’s got an indiscreet voice,” I remarked. “It’s full of-“ I hesitated. “Her voice is full of money,” he said suddenly. That was it. I’d never understood before. It was full of money-that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it.
You've got to gamble on yourself. If you don't, no one else is going to. It's very hard when you're poor to turn down money. When you've got money, it's easy. When you're poor, you need money today. People take advantage of poor people.
You might indeed be able to provide this money that people need to start a business, but can they run a business? This new consolidated agency [National Empowerment Fund] focuses on that matter of preparing people so that they can run business successfully.
I get so sick of people asking: "What's your demographic?" Or: "Oh we've got to aim this at..." No, you have to aim it at you. You do the thing you would love... make the thing you would love and be proud of. There's enough people in the world that, if you do that and do it well as a single vision, they'll go: "That's my favourite thing ever!"
People laugh to forget their troubles, and to forget their troubles they like to look at people who aren't doing better than they are.
There is another class of coloured people who make a business of keeping the troubles, the wrongs, and the hardships of the Negro race before the public. Having learned that they are able to make a living out of their troubles, they have grown into the settled habit of advertising their wrongs — partly because they want sympathy and partly because it pays. Some of these people do not want the Negro to lose his grievances, because they do not want to lose their jobs.
It troubles me that people speak about writing for money as ugly and distasteful.
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