A Quote by Aishwarya Rajesh
Dubbing really uplifts your character.
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To be honest, until I started dubbing, I didn't realize the amount of work of a dubbing artiste puts in. Especially the artistes that dub for villains. They really stretch their vocal cords to a different dimension.
Dubbing can change the 'sur' of the character. Doing it for another actor and to make it believable is tricky but interesting because you do not know the graph of the character.
I've dubbed for my roles in Hindi, English, and Italian. Therefore, I'm used to the process. But, dubbing is hard, especially when you are dubbing for a prominent actor.
I'm quite fluent in Telugu now, but there's a difference between talking and dubbing. While dubbing, the diction must be in sync with the emotion in the scene and would impact my performance.
When I am dubbing for my character, if I laugh at the figure on the screen, I know I have done well.
Beauty satisfies the senses completely and at the same time uplifts the soul. That which gratifies the senses is pleasant, and that which uplifts the soul without being sensual in the least is good, true, right, anything you like, but not beautiful.
When 'Yuganiki Okkadu,' the Telugu dubbed version of 'Aayirathil Oruvan,' released, I didn't like dubbing for my character. Someone much older had done it, and it didn't have the flavour.
I don't really look at dubbing from a singer's shoes.
Dubbing is an important part of acting, and I feel complete only when it's my voice that is heard. Having essayed the character, I know the kinds of emotions that are required for each scene.
When you are writing, you have to love all your characters. If you're writing something from a minor character's point of view, you really need to stop and say the purpose of this character isn't to be somebody's sidekick or to come in and put the horse in the stable. The purpose of this character is you're getting a little window into that character's life and that character's day. You have to write them as if they're not a minor character, because they do have their own things going on.
Be more concerned with your character than your reputation, because your character is what you really are, while your reputation is merely what others think you are.
When you're playing a character, you don't really want to have an opinion about where you're going to end up. Otherwise, you can't really stay in the moment and in your character.
The ability to get inside your character's head in a graphic novel is really fun and useful because one, you can really define the character's voice and two, it's a way easier way to convey what the character's thinking by actually laying out what he's thinking.
Don't measure yourself by what you have accomplished, but by what you should have accomplished with your ability. Do not let what you cannot do interfere with what you can do. Be more concerned with your character than with your reputation. Your character is what you really are while your reputation is merely what others think you are. Failure to prepare is preparing to fail.
When you do a play, or even a movie, you have weeks to finesse your character. You really understand why they do what they do. In TV, you get new material weekly about your character.
When you're on screen with Mads, there's some real fireworks because your character is his intellectual equal. In a way, maybe your character has an instinct as to who this man really is.
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