A Quote by Alan Menken

When I was younger, I'd get very invested in things. It's a hard lesson to learn, but you have to know that if you want to find gold, you've got to love the process of digging.
If you have reached the point where you're certain that person has no conscience, or is in it to win rather than to love you, then the very best thing you can do is to get away. That's a very hard lesson to learn, and, furthermore, it's not always possible.
Well if you can’t get what you love, You learn to love the things you’ve got .. If you can’t be what you want, You learn to be the things you’re not .. If you can’t get what you need, You learn to need the things that stop you dreaming
My very first records, I was very interested in how you get the particular quality you want out of it, and I began to learn about the engineering and aspects of production and things very early on. I got hands-on with the process and taught myself how to engineer, as opposed to just being a producer who asked the engineer to make it sound nice.
Everybody has seen that I make mistakes. Every single album I have ever made is about love. But I am not going to give up. I have to look at what I do wrong. I rush in, I get swept up, I ignore the signs. But so many of us are guilty of these things. Each time it goes wrong, it's hard. I get really hurt but I have to let myself go: 'What did I do? What can I learn?' And as hard and as hurtful as things get, I want to believe I will be able to go one step higher. I've got to hope that if I keep going I will eventually get it right.
I always loved digging away at the story, trying to find out things that people don't want you to find out and piecing it all together. I love the treasure hunt aspect of it, the thrill of the chase.
In America, even the critics - which is a pity - tend to genre-ize things. They have a hard time when genres get mixed. They want to categorize things. That's why I love Wes Anderson's films and the Coen Brothers, because you don't know what you're going to get, and very often you get something that you don't expect and that's just what a genre's not supposed to do.
Even though sometimes you don't get the minutes you want to, you've just got to continue to work hard and know that if you keep playing hard and doing the right things, then eventually things will turn your way.
Hana, everything that God made valuable in the world is covered and hard to get to. Where do you find diamonds? Deep down in the ground, covered and protected. Where do you find pearls? Deep down at the bottom of the ocean, covered up and protected in a beautiful shell. Where do you find gold? Way down in the mine, covered over with layers and layers of rock. You've got to work hard to get to them.
I tell you what I love - and I think you get better as you get older - when you're younger and you don't know what you don't know, you tend to talk more about what you think you know. You shut out the opportunity to learn what you don't know.
You try to learn who you are. You work hard. You've either got it or you don't when it comes to writing books. And you tend to only get these things if you want them, and want them to the exclusion of everything else.
I learn from everything I do. I work very hard, I have so many things going on in my life. Get to know me and see who I am.
If you want the best things to happen in corporate life you have to find ways to be hospitable to the unusual person. You don't get innovation as a democratic process. You almost get it as an anti-democratic process. Certainly you get it as an antithetical process, so you have to have an environment where the body of people are really amenable to change and can deal with the conflicts that arise out of change an innovation.
I enjoyed meeting Emma [Watson]. I have a soft spot in my heart for child actors growing up. I know how hard that is. Having gone through that experience myself, I have a lot of sensitivity to it. For lack of a better word, I just feel like I love these kids, and I want them all to grow up and love themselves, and not get caught up in the wrong things, and to learn all the different things this profession has to give, and to understand it.
And it's been a process of digging through the songs and trying to make them born on stage again. I think they are very different. I think they come off very differently. I think they come off, I don't know if it's masculine or outward, extroverted than introverted. I didn't know. It's just been a process.
When teams are crowded in the paint, it's very hard to get in there and penetrate, but you got to find ways to get into transition and get into your strengths. It's a lot of thinking out there, you got to make sure you think and strategize.
My biggest lesson is patience. I always want things to happen overnight and they don't. I've had to learn this lesson a few times in life and, usually, it results in taking more time to fix the problem because it was rushed.
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