A Quote by Alan Rickman
A lot of the time I hate the theater. You think, 'I have to climb Mount Everest, again, tonight.' Oh, the theater is a scary place to be.
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I don't think you can climb Mount Everest with a broken leg, but I did break my leg prior to going to Mount Everest, so I was really climbing with a healing broken leg. I had the good fortune of climbing the highest mountain on each of the seven continents. That was a goal that I had.
The difference between working with actors that have put their time in the theater and just straight film and television actors is that you trust theater actors a lot more. You know that they're seriously more trained than anyone else because theater is the best place to grow as an actor.
I think Mount Everest is gorgeous, too, but that doesn’t mean I have any intention of trying to climb it
Why climb Mount Everest? Because it's there.
I have climbed Everest from the Nepal route and the China route. The other routes are too hard for me. So I don't think I can climb Everest again.
Because it is there [famous explanation for wanting to climb Mount Everest].
I went to theater school in France, and when I finished I thought I would never go back to acting again. I don't want to be acting in theater. It's not for me. I'm sick of all this theater world, all these actors, and all that.
Actors and writers need to come back to the theater because it's a place where you can learn. You have to pay your dues, and people who haven't paid their dues in the theater, I think, have a hard time creating a whole career.
Actors and writers need to come back to the theater because it's a place where you can learn. You have to pay your dues; and people who haven't paid their dues in the theater, I think, have a hard time creating a whole career.
I'm constantly involved in theater, looking at theater, trying to do work in theater, support theater. And that's kind of my creative passion.
I'd love to go back to Greek times and see the birth of theater and performing, in that time. It would be so extraordinary to see the need that theater came out of, in the first place. I think we could probably all learn a bit from that.
I looked at theater, in the sense that theater is unmanipulated. If I want to pay more attention to one character on stage than another, I can. I think there's not enough theater in film and not enough film in theater, in a way.
I'd always loved the theater, and I began by writing plays. I work in the theater a lot in the UK, and I've worked in the theater out here quite a bit. Everything else - the films - followed as a consequence of that.
When you're on stage, you're playing to whoever is in the back of the room, and TV and film is so much more detailed and nuanced, but I think that's what I always wanted to do. As much as I love theater and musical theater and would love to do it again, I really love the subtleties of film and theater acting.
Many years ago the great British explorer George Mallory, who was to die on Mount Everest, was asked why did he want to climb it. He said Because it is there. Well, space is there, and were going to climb it, and the moon and the planets are there, and new hopes for knowledge and peace are there.
Whether the theater is 1,000 seats or 500 seats or 200 seats, you have to make sure the person in the back of the theater can hear you and understand you. So there's a lot of articulation and a lot of voice in theater that really just isn't necessary when it comes to dealing with the camera.
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