A Quote by Alan Furst
What I discovered is I don't like to repeat lead characters because one of the most pleasurable things in a book to me is learning about the lead.
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One of the things that I've been trying to do with my characters, one of the things that does lead to me turning things down, is I don't really want to repeat myself.
I think it's so trite to say you have lead characters. It's like someone saying I'm the lead in my life.
Hillary Clinton and Barack Obama's strategy is to lead from behind. It sounds like what he is outlining is not to lead at all. We cannot continue to outsource foreign policy. We must lead. We are the most powerful nation in the world. We need to begin to act like it, again.
One of the things that impacted me the most was in the 12th grade. I just assumed I would get the lead in the musical. Well, I didn't get it; I got the second lead, and I was devastated... my mom said something like, 'Often the supporting character is better.'
Most beginners want to learn lead because they think it's cool .. consequently, they never really develop good rhythm skills .. since most of a rock guitarists time is spent playing rhythm, it's important to learn to do it well .. learning lead should come after you can play solid backup and have the sound of the chords in your head
The book is actually called 'A Mentor Leader, a Different Way to Lead.' It really talks about my experience in the way I tried lead our football team, things that I learned from, basically, the coaches that I played for and my parents about leadership. And it is a little bit different, counter to maybe what society says about great leaders.
Greg Rucka always writes lovely, believable female characters in books like 'Whiteout,' 'Queen and Country,' and 'Lazarus.' I am a fan of Kelly Sue DeConnick, who does a wonderful female lead in 'Captain Marvel.' And DC's 'Batwoman' is currently the only book at the Big Two with a lesbian solo lead character, and it's always outstanding.
I do things differently, because I don't go by a rule book, because I lead from the heart, not the head, and albeit that's got me into trouble in my work, I understand that.
I don't set out to write female lead shows, necessarily. I like deeply flawed characters. When they come to me, or when I'm introduced to them, I follow the stories and the people, rather than setting out to do a female lead thing.
You know, I've always tried to look at things as just what the part was. I never tried to worry about whether it was the lead or not the lead, because I think you can really mess your mind up when you're too caught up in those things.
It's kind of great being a group without a lead singer, because the possibilities are sky high. Odd things become the lead singer, noises become the lead singer. It actually makes the thing much more flexible.
I love rehearsing because in rehearsals there are no mistakes, nothing is wrong, some things apply or lead you to focus on the character and the things that don't apply are equally valuable because they lead you to towards what does.
That's what I love about reading: one tiny thing will interest you in a book, and that tiny thing will lead you to another book, and another bit there will lead you onto a third book. It's geometrically progressive - all with no end in sight, and for no other reason than sheer enjoyment.
Lead me to the cross
Where Your love poured out
Bring me to my knees
Lord I lay me down
Rid me of myself
I belong to You
Lead me, lead me to the cross.
A feeling of alienation existed in India about life in Pakistan because most of what was known was negative. So, everyone used to believe things in our country are always bad, and we don't lead a happy life. But this has changed to some extent. After watching our dramas, people now know that we lead our lives similar to the way they live.
One of my favourite films is called 'Lacombe Lucien,' directed by Louis Malle. The lead character in that film, like the lead characters in many '70s and '80s films, has a moral ambiguity to him.
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