A Quote by Alan Furst
Venice has always fascinated me. Every country in Europe then was run by kings and the Vatican except Venice, which was basically run by councils. I've always wondered why.
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When I went to Europe for the first time, I went to Paris and then to Venice. So after Paris, Venice was my first great European city, and it just blew me away.
Venice was always one step removed from what was going on. If you were in Turin or in Milan or one of the industrial centers, you would have had a much more active political constituency. Venice essentially lived for itself.
It is always assumed that Venice is the ideal place for a honeymoon. This is a grave error. To live in Venice or even to visit it means that you fall in love with the city itself. There is nothing left over in your heart for anyone else.
... in the eyes of its visitors, Venice has no reality of its own. Anyone visiting the place has already seen so many pictures of it that they can only attempt to view it via these clichés, and they take home photographs of Venice that are similar to the ones they already knew. Venice [is] becoming like one of those painted backdrops that photographers use in their studio.
If you read a lot, nothing is as great as you've imagined. Venice is - Venice is better.
If every museum in the New World were emptied, if every famous building in the Old World were destroyed and only Venice saved, there would be enough there to fill a full lifetime with delight. Venice, with all its complexity and variety, is in itself the greatest surviving work of art in the world.
I've got a lot to download on your mercy and grace. I've always rushed up to You and dumped whatever it was and hurried away, fascinated by my own busyness. I want to turn all this over to You slowly, carefully, examining every fragment as I pass it off, so there'll never be any question about it again. Every time I've dumped and run, I've nearly always run back and snatched it out of Your hands. Help me in this.......Right now, I'm certain of only one thing - that You love us, and that's where we all have to begin.
I came up with a parallel Venice called Venus. set in a parallel Venice about 1701.
It is not surprising that Venice is known above all for mirrors and glass since Venice is the most narcissistic city in the world, the city that celebrates self-mirroring.
There is still one of which you never speak.' Marco Polo bowed his head. 'Venice,' the Khan said. Marco smiled. 'What else do you believe I have been talking to you about?' The emperor did not turn a hair. 'And yet I have never heard you mention that name.' And Polo said: 'Every time I describe a city I am saying something about Venice.
Let's run away to Venice, and hide out in an old movie theater. We can dye our hair blonde, so no one will ever find us!
When writers for adults contemplate Venice, they behold decay, dereliction and death. Thomas Mann, Daphne du Maurier, L. P. Hartley and Salley Vickers have all dispatched hapless protagonists to Italy, where they see Venice - and die.
To go out in a gondola at night is to reconstruct in one's imagination the true Venice, the Venice of the past alive with romance, elopements, abductions, revenged passions, intrigues, adulteries, denouncements, unaccountable deaths, gambling, lute playing and singing.
For a moment, she was quiet. Then she grabbed my hand, whispered, “Run run run run run,” and took off, pulling me behind her.
First, my frame of reference for the Britten opera shifted. I'd always thought of Britten's approach in Death in Venice as another exploration of the plight of the individual whose aspirations are at odds with those of the surrounding community: his last opera returning to the themes of Peter Grimes. As I read and listened and thought, however, Billy Budd came to seem a more appropriate foil for Death in Venice.
I became fascinated by marionettes, which I first saw in Venice. They were so haunted and so alive. You walked by them, and you could feel their presence, with their beady eyes just fixed on you.
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