A Quote by Alastair Reynolds

There is enough material in the Kuiper Belt to build anything out there. We could gobble up all the little asteroids, filtering out all the volatile materials, leaving us with bits of rock and using that to make some incredible structures.
How'd we come up with the robe? Was some guy just like, 'Hey, I've got an idea! Why don't we make a coat out of a towel? You can have a little belt that goes around. You could dunk the belt in the toilet! Have a toilet belt.'
There are lots of really interesting little planets out there in the Kuiper Belt, but Pluto's the only one that's got all the cool attributes.
I could see no reason why used tram tickets, bits of driftwood, buttons and old junk from attics and rubbish heaps should not serve well as materials for paintings; they suited the purpose just as well as factory-made paints It is possible to cry out using bits of old rubbish, and that's what I did, gluing and nailing them together.
In our quest to quickly make three-dimensional objects, we can miss out on the experience of making something that helps give us our first understandings of form and material, of the way a material behaves--'I press too hard here, and it breaks here' and so on. Some of the digital rendering tools are impressive, but it's important that people still really try and figure out a way of gaining direct experience with the materials.
Men's souls are crooked and unsound things, not good materials out of which to build friendships, families, households, cities, civilizations. But good or no, these things must be built, and we must craft them with the materials at hand, and make as strong and stubborn redoubt as we can make, lest the horrors of the Night should triumph over us, not in some distant age to come, but now.
What's awesome about the Internet is how it breaks up monopolistic markets where middlemen unfairly gobble up outsized fees, leaving us little choice but to keep paying them.
We're going to find Marses and maybe Earths out in the solar system's attic of the Oort Cloud and the Kuiper Belt.
When I am recording on my own, it's like an oil painting: I can put that on top of that and build up layers. But with the band, it turned out more watercolor: you're leaving white bits of paper exposed, so that nothing is too overworked.
I make very involved drawings, even little structures, and try using design to figure out the rhythm of a plot. If there are several narrators then a clue has to pop up in the first line. There have to be certain grammatical clues, or distinctive names.
The Kuiper Belt is the largest mapped structure in our planetary system, three times as big as all the territory from the sun out to Neptune's orbit.
Everywhere in the world, when you travel, you see structures that stand out. Historic structures and new structures. But in India, I don't see anything that stands out.
I decided to set out to prove that you could make a reasonable living building for the poor using recycled materials and only hiring unskilled labor.
We could build just about anything that you could dream of. But that's not the question. The thing that Beats provides us is a head start. They provide us with incredible people that don't grow on trees.
I can rock out anything. I mean, I can rock out a little 'Time After Time'. I can do a little 'Grease Lightning'. It depends on the mood, but we do go karaoke, my friends and I in Los Angeles, and it's a lot of fun.
It's a mental fake-out to myself. I make believe I'm making a new show so I forget the material I was working on and make up some fresh material.
We estimate that once Iraq acquires fissile material - whether from a foreign source or by securing the materials to build an indigenous fissile material capability - it could fabricate a nuclear weapon within one year.
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