A Quote by Alex Abreu
We discovered this halfway through the process. When we started making the film there were some lines of dialogue in Portuguese, but we then changed our minds. The film started from very specific issues in the world, in particular Latin America, but halfway through the journey we felt the necessity to have more universal ideas that were not so specific.
Related Quotes
In 2006, I started making a film called 'Restraint of Beasts.' While I was making it, I had a personal disaster. My wife fell ill, so we stopped shooting halfway through. And then sadly, my wife died.
He [Michael Jackson] would choose specific moments. They were art history books that I prefer. They were paintings that he prefers. It's this dance back and forth. We were halfway through the dance. He died.
When I begin a film, I want to make a great film. Halfway through, I just hope to finish the film.
For the audience, actors carry out specific roles of men and women through the character that they play out on screen. The director on the other hand is not doing a gender-specific job. So, it is irrelevant if the person who makes a particular film is a man or a woman.
I think we came out and got the first goals fairly easily and fairly quickly. All of a sudden they started to change the defense and they changed things up on us and I thought we got a little too comfortable. I give their goalie credit, he made some very good saves, but we just wanted to score. We changed some things halfway through the fourth quarter and we were able to generate some shots. I think for most of the year we've been good on offense. We haven't really struggled like that. We knew coming into the season that we'd have to share the ball on offense and really be efficient.
Some of the writers definitely got inspired by some of the story lines, but we are evolving in the 'Daredevil' story. So when it comes to 'Elektra', they didn't follow one of her specific story lines, you know. They really tried to capture what comes through the comics, but there's not one specific storyline.
I didn't know I wanted to do films until I started to do them. Very few films are made in Mexico and film-making belonged to a very specific group, a clique.
My absolute favorite song I've ever written is "This Is Where We Came In." It's a nudge at younger listeners, cause at one time you could go into a cinema halfway through a film and then stay through and pick up where you left off.
In Canada, we have a very good structure of supporting film through a number of government-sponsored initiatives, such as the tax credit and other grants. The northern part of Ontario has started its own funding. They were really happy to sponsor us, so they've been very supportive and put up half the budget for this film. They'd like us to come back and do more films.
I think, doing a first film, at some point you get halfway through, and you wonder, 'Is this is good enough to define who I am for the coming decade?'
Normally my process is to sit in a room and read a script and talk about it and ask questions and just create a dialogue. That goes all the way through shooting. All kinds of thoughts and ideas can find their way in there. As long as you're all on - We're just all trying to tell the story so my job as a director is just to find out what this film wants to be based on, it's just words on a page at some point but then it just needs to go to some level of believable storytelling. I'm discovering the film as I make it, to some degree.
I usually start from the most general to the more specific. I'll get an emotional overview for the film as a whole, trying to pinpoint what the musical identity is and come up with thematic ideas - any ideas that identify as succinctly as possible what the film is.
My first job was television. I got to where I wanted to go, but through a little bit of a detour. When I first started working in film and television, I hated myself - I didn't like what I was doing at all. All I could think of was, 'I'm overacting. Be smaller.' I started to do that, but that was not fun. I felt confined doing film and TV.
I didn't know the term 'synesthesia' until I was working on 'Cruel Summer.' Halfway into writing that, I really understood that, my entire life, I had been trying to describe this condition of mine: through painting, through this seven-screen Surround Vision film we shot in Qatar, through all these things.
The only time producers fed me lines on 'Laguna Beach' were more fake phone calls or pickup scenes. We'd film for nine months out of the year, and then they would start cutting episodes together, and they would realize that they needed a specific scene.
I think what Hollywood is learning at large is that there is profitability in stories that are culturally specific and that you can only address the universal through the specific.
Related Authors
Anuel AA Quotes
Puerto Rican
Musician
Bad Bunny Quotes
Puerto Rican
Singer
Chi Chi Rodriguez Quotes
Puerto Rican
Athlete
Chita Rivera Quotes
Puerto Rican
Actress
Joan Smalls Quotes
Puerto Rican
Model
Jorge Posada Quotes
Puerto Rican
Athlete
Jose Feliciano Quotes
Puerto Rican
Musician
Joyce Giraud Quotes
Puerto Rican
Actress
Luis Fonsi Quotes
Puerto Rican
Musician
Ozuna Quotes
Puerto Rican
Musician
Rita Moreno Quotes
Puerto Rican
Actress
Roberto Clemente Quotes
Puerto Rican
Athlete
Roselyn Sanchez Quotes
Puerto Rican
Model
Walter Mercado Quotes
Puerto Rican
Celebrity
Yadier Molina Quotes
Puerto Rican
Athlete